墨西哥粉色:颜色、博物馆和社会

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2019-06-01 DOI:10.7560/slapc3709
J. Martínez
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引用次数: 0

摘要

摘要:作为一名博物馆爱好者,在西方世界旅行时,我习惯浏览博物馆礼品店,寻找铅笔和橡皮擦作为识别全球化进程中国际趋势的线索。2015年,我在墨西哥城发现了一种不同寻常的现象,那里的商品都是粉红色的(通常是紫色的)。不仅在博物馆,而且在该地区的任何地方,无论文化背景如何;与二十年前相比,绿色已经不见了。本文旨在从博物馆的实践以及艺术和建筑的当前趋势中,对这一惊人的经验提供一个横向的回答。研究显示,这个国家,尤其是首都,最近把“墨西哥粉”变成了一个官方品牌。当前的艺术和建筑文学指向了墨西哥土著人民的过去和现在的传统,这些传统长期被国家精英所占有。然而,社会现实表明,虽然土著人民是国家认同的核心,但实际上他们在实践中处于边缘地位。
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Mexican Pink: Color, Museums, and Society
Abstract:Traveling the Western world as a museumgoer, I have the habit of browsing through museum gift shops, looking for pencils and erasers as clues to identify international trends within the process of globalization. What I found in Mexico City in 2015 was an unusual concentration of items with the color pink (often followed by purple). Not only in museums but everywhere in the area, regardless of the cultural context; the color green was nowhere to be seen, in contrast to twenty years ago. This article intends to provide a transverse answer to that striking experience looking to museum practices as well as current trends in art and architecture. The study reveals that the country, and especially the capital, has recently made "Mexican pink" into something like an official brand. Current literature in art and architecture points to the past and present traditions of the indigenous peoples of Mexico, long appropriated by national elites. However, social realities show that while indigenous peoples are central to national identity they are in fact marginalized in practice.
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
10
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