华兹华斯的《死亡与诗人形象》出版于1850年

IF 0.1 N/A HUMANITIES, MULTIDISCIPLINARY Victoriographies-A Journal of Nineteenth-Century Writing 1790-1914 Pub Date : 2022-03-01 DOI:10.3366/vic.2022.0449
J. Morton
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引用次数: 0

摘要

本文将探讨桂冠诗人威廉·华兹华斯(William Wordsworth)的名气,他死于1850年。华兹华斯于1850年4月23日去世,表面上是当时最著名的英国诗人,他成为桂冠诗人只有七年多,自1793年以来一直积极创作诗歌。他死后不久,他最长的诗《序曲》出版了,现在被认为是自传体史诗的杰作;人们很容易认为,这样一位大诗人的去世,加上他最重要的作品之一的出版,将在那一年主宰文坛;然而,他去世的消息虽然广为流传,但却转瞬即逝,《序曲》受到的反响并不热烈。这甚至挑战了桂冠诗人作为文学名人的概念。尽管如此,我将说明,他的名字作为"诗人"的代名词在当时的期刊上流传下来,华兹华斯的田园抒情诗歌在他去世那年的期刊上仍然是一种经久不衰的形式;这意味着华兹华斯作为一个“真正的诗人”的形象,即使他的个人名声已经减弱。
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Wordsworth's Death and the Figure of the Poet in 1850
This article will consider the extent and nature of the celebrity of the Poet Laureate William Wordsworth, who died in 1850. Ostensibly the most famous English poet alive in that year, on his death on 23 April 1850, Wordsworth had been Poet Laureate for just over seven years and had been actively producing verse since 1793. Shortly after his death, his longest poem, now considered a masterpiece of autobiographical epic, The Prelude, was published; one could easily assume that the death of such a major poet coupled with the publication of one of his most significant works would dominate the literary world in that year; yet notices of his death, while widespread, were fleeting in focus, and The Prelude met with a lukewarm reception. This challenges the concept of even a Poet Laureate as a literary celebrity. Nonetheless, as I will show, his name endured as a byword for ‘poet’ in periodicals of the time, and the Wordsworthian pastoral lyric remained an enduring form in periodicals of the year of his death; meaning that Wordsworth as a figure of ‘true poet’ endured even as his personal celebrity had waned.
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来源期刊
CiteScore
0.30
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发文量
32
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