Book Review: Samuel Wilson (ed.), Music – Psychoanalysis – Musicology

between the presentation of the theoretical explorations and the discussion. Despite these criticisms what shines through is her commitment to and passion for her work, along with her belief in the value and power of the therapeutic medium. Trondalen’s willingness to grapple with complex ideas is clearly conveyed throughout and is reflected through her detailed theoretical understanding. For example, my attention was particularly drawn to the author’s discussion in Chapter 9 entitled ‘The Music Therapy Relationship’. Here, she refers to Merleau-Ponty’s description of the ‘living body’ (p. 77), to Knoblau’s concept of ‘resonant minding’ (p. 78) and the ways in which musical togetherness can be understood. In her epilogue, she refers to three perspectives which go towards creating a human identity, describing this as being an ongoing process which can be supported by relational musical experiences. Overall, this is a well-researched book delivered by a Music Therapist who is clearly dedicated to the value music can bring to a therapeutic relationship.