{"title":"那不勒斯和匈牙利宫廷之间的Trecento面板绘画。西蒙尼的《圣拉迪斯劳斯》和《十字架上的基督》的一个假设","authors":"Sarah K. Kozlowski","doi":"10.1484/j.convi.4.2019040","DOIUrl":null,"url":null,"abstract":"Taking as its point of departure Simone Martini's panel painting of Saint Ladislaus of Hungary (ca 1330s or early 1304s), held since the fourteenth century in Altomonte, and a panel painting of Chr...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Trecento Panel Painting Between the Courts of Naples and Hungary. A Hypothesis for Simone Martini's Saint Ladislaus and a Painting of Christ on the Cross\",\"authors\":\"Sarah K. Kozlowski\",\"doi\":\"10.1484/j.convi.4.2019040\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Taking as its point of departure Simone Martini's panel painting of Saint Ladislaus of Hungary (ca 1330s or early 1304s), held since the fourteenth century in Altomonte, and a panel painting of Chr...\",\"PeriodicalId\":40765,\"journal\":{\"name\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/j.convi.4.2019040\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.convi.4.2019040","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Trecento Panel Painting Between the Courts of Naples and Hungary. A Hypothesis for Simone Martini's Saint Ladislaus and a Painting of Christ on the Cross
Taking as its point of departure Simone Martini's panel painting of Saint Ladislaus of Hungary (ca 1330s or early 1304s), held since the fourteenth century in Altomonte, and a panel painting of Chr...