{"title":"“微型景观”——殖民地维多利亚时期使用树胶叶作为绘画支撑","authors":"Caroline Fry, V. Kowalski, Catherine Nunn","doi":"10.1080/10344233.2017.1380919","DOIUrl":null,"url":null,"abstract":"The paper examines the history of the use of the gum leaf as a support for oil paintings in colonial Australia, with a focus on the conservation treatment of four paintings by artist Alfred William Eustace from the Albury City Gallery Collection. The paper presents some historic background and describes the technical analysis of the material components of these unique paintings, their condition and the conservation treatment undertaken in preparation for exhibition.","PeriodicalId":7847,"journal":{"name":"AICCM Bulletin","volume":"38 1","pages":"63 - 69"},"PeriodicalIF":0.0000,"publicationDate":"2017-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/10344233.2017.1380919","citationCount":"0","resultStr":"{\"title\":\"‘Landscape In Miniature’—The use of the gum leaf as a painting support in colonial Victoria\",\"authors\":\"Caroline Fry, V. Kowalski, Catherine Nunn\",\"doi\":\"10.1080/10344233.2017.1380919\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper examines the history of the use of the gum leaf as a support for oil paintings in colonial Australia, with a focus on the conservation treatment of four paintings by artist Alfred William Eustace from the Albury City Gallery Collection. The paper presents some historic background and describes the technical analysis of the material components of these unique paintings, their condition and the conservation treatment undertaken in preparation for exhibition.\",\"PeriodicalId\":7847,\"journal\":{\"name\":\"AICCM Bulletin\",\"volume\":\"38 1\",\"pages\":\"63 - 69\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/10344233.2017.1380919\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AICCM Bulletin\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10344233.2017.1380919\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AICCM Bulletin","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10344233.2017.1380919","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文考察了殖民地澳大利亚使用树胶叶支持油画的历史，重点研究了艺术家阿尔弗雷德·威廉·尤斯塔斯（Alfred William Eustace）在奥尔伯里城市美术馆收藏的四幅油画的保护处理。本文介绍了一些历史背景，并介绍了对这些独特画作的材料组成、状况的技术分析，以及为筹备展览而进行的保护处理。
‘Landscape In Miniature’—The use of the gum leaf as a painting support in colonial Victoria
The paper examines the history of the use of the gum leaf as a support for oil paintings in colonial Australia, with a focus on the conservation treatment of four paintings by artist Alfred William Eustace from the Albury City Gallery Collection. The paper presents some historic background and describes the technical analysis of the material components of these unique paintings, their condition and the conservation treatment undertaken in preparation for exhibition.
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