Art and Economics

What do we talk about when we talk about economics, money, and the art market? In the historiography of American art history, what shifts have we seen in ways of thinking about artistic production, the art market, and the visual cultures of economics? When we study financial systems, institutions, instruments, and objects, do we examine them in relation to economic power and social class, or in relation to other social phenomena, and why? To what extent have economic forces such as the art market and institutional funding shaped the field of American art, whether in terms of the objects and inquiries we pursue and neglect, or with regard to the vocabulary we use and avoid ?