{"title":"考虑音乐治疗评估和治疗计划的案例制定和决策过程","authors":"K. Devlin, Anthony Meadows","doi":"10.1080/08098131.2023.2184417","DOIUrl":null,"url":null,"abstract":"ABSTRACT Introduction Two approaches to assessment and treatment planning, case formulation and decision-making, are presented and compared in order to consider what each bring to music therapy clinical practice. Method Case formulation processes are compared with decision-making processes to illuminate the differences inherent to each approach. Special attention is given to differences related to data collection, use of theory, therapist expertise, client collaboration, context, and power. Results Clear differences in these two assessment and treatment planning processes emerge, particularly in the ways in which the client is understood, the ways in which the client’s needs are contextualized and the ways in which they might be engaged as collaborators in the therapy process. Discussion Considering these two different perspectives offers opportunities for music therapists to reflect on how they position themselves in relation to clients – particularly in terms of the extent to which power, desire, collaboration, and equity are realized within the therapeutic relationship. The context in which therapy takes place is also considered differently in each approach, and this has implications for the way the client’s needs are understood. When considered as a whole, this article invites further discussion about how music therapists conceptualize the personhood of clients, and how this impacts the way therapy unfolds.","PeriodicalId":51826,"journal":{"name":"Nordic Journal of Music Therapy","volume":"32 1","pages":"445 - 461"},"PeriodicalIF":1.6000,"publicationDate":"2023-03-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Considering case formulation and decision-making processes in music therapy assessment and treatment planning\",\"authors\":\"K. Devlin, Anthony Meadows\",\"doi\":\"10.1080/08098131.2023.2184417\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Introduction Two approaches to assessment and treatment planning, case formulation and decision-making, are presented and compared in order to consider what each bring to music therapy clinical practice. Method Case formulation processes are compared with decision-making processes to illuminate the differences inherent to each approach. Special attention is given to differences related to data collection, use of theory, therapist expertise, client collaboration, context, and power. Results Clear differences in these two assessment and treatment planning processes emerge, particularly in the ways in which the client is understood, the ways in which the client’s needs are contextualized and the ways in which they might be engaged as collaborators in the therapy process. Discussion Considering these two different perspectives offers opportunities for music therapists to reflect on how they position themselves in relation to clients – particularly in terms of the extent to which power, desire, collaboration, and equity are realized within the therapeutic relationship. The context in which therapy takes place is also considered differently in each approach, and this has implications for the way the client’s needs are understood. When considered as a whole, this article invites further discussion about how music therapists conceptualize the personhood of clients, and how this impacts the way therapy unfolds.\",\"PeriodicalId\":51826,\"journal\":{\"name\":\"Nordic Journal of Music Therapy\",\"volume\":\"32 1\",\"pages\":\"445 - 461\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2023-03-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nordic Journal of Music Therapy\",\"FirstCategoryId\":\"3\",\"ListUrlMain\":\"https://doi.org/10.1080/08098131.2023.2184417\",\"RegionNum\":4,\"RegionCategory\":\"医学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"REHABILITATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nordic Journal of Music Therapy","FirstCategoryId":"3","ListUrlMain":"https://doi.org/10.1080/08098131.2023.2184417","RegionNum":4,"RegionCategory":"医学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"REHABILITATION","Score":null,"Total":0}
Considering case formulation and decision-making processes in music therapy assessment and treatment planning
ABSTRACT Introduction Two approaches to assessment and treatment planning, case formulation and decision-making, are presented and compared in order to consider what each bring to music therapy clinical practice. Method Case formulation processes are compared with decision-making processes to illuminate the differences inherent to each approach. Special attention is given to differences related to data collection, use of theory, therapist expertise, client collaboration, context, and power. Results Clear differences in these two assessment and treatment planning processes emerge, particularly in the ways in which the client is understood, the ways in which the client’s needs are contextualized and the ways in which they might be engaged as collaborators in the therapy process. Discussion Considering these two different perspectives offers opportunities for music therapists to reflect on how they position themselves in relation to clients – particularly in terms of the extent to which power, desire, collaboration, and equity are realized within the therapeutic relationship. The context in which therapy takes place is also considered differently in each approach, and this has implications for the way the client’s needs are understood. When considered as a whole, this article invites further discussion about how music therapists conceptualize the personhood of clients, and how this impacts the way therapy unfolds.
期刊介绍:
Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.