杜拉纳教堂(alava)。大约1595年的圣体微架构模型

IF 0.1 0 ART Ars Bilduma Pub Date : 2017-06-12 DOI:10.1387/ARS-BILDUMA.16893
Aintzane Erkizia Martikorena
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引用次数: 0

摘要

这篇文章关注的是一个罗马主义者的帐篷,由于其建筑、雕塑和图像特征,可以被认为是16世纪末阿拉瓦艺术背景的典范。此时此刻,来自特伦托的新规定在卡拉霍拉-拉卡尔扎达教区盛行,要求对圣餐家具进行更多的装饰,艺术家们能够通过一种新的艺术风格来满足这些虔诚的要求。这种风格,我们称之为浪漫主义,是胜利的,显示出米开朗基罗的明显影响。
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El sagrario de Durana (Álava). Una microarquitectura eucarística modélica de hacia 1595
This article focuses on a Romanist a tabernacle which, due to its architectural, sculptural and iconographic characteristcs, could be considered exemplary of the artistic context of Alava at the end of the 16 th century. At this moment, new regulations from Trento prevailed in the Calahorra-La Calzada diocese, demanding more atention upon Eucharistc furniture, and artsts were capable of answering to these devotional demands through a new artistic style. This style, which we call Romanism, was triumphant, showing a clear infuence of Michelangelo.
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来源期刊
自引率
0.00%
发文量
17
审稿时长
10 weeks
期刊最新文献
PAYO HERNANZ, René Jesús; ZAPARAÍN YÁÑEZ, María José: Trazas, proyectos y diseños de la Edad Moderna en Burgos en el Archivo Histórico Provincial (1575-1802) BILBAO SALSIDUA, Mikel: Entre el arte y el diseño gráfico. Las carátulas de discos en la producción discográfica de Euskal Herria desde mediados del siglo XX intervención de los Areizábal en la iglesia de San Miguel de Alfaro (La Rioja) en el siglo XVI patronazgo artístico de Gracia de Olazábal: del estudio de su dote a las obras y negocios familiares ALCALÁ, Luisa Elena; GONZÁLEZ GARCÍA, Juan Luis (eds.): Spolia Sancta. Reliquias y arte entre el Viejo y el Nuevo Mundo
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