{"title":"苏菲仪式的过程形式","authors":"Burçin Bahadır Güner","doi":"10.33906/musicologist.1014113","DOIUrl":null,"url":null,"abstract":"Sufi rituals are believed to be compiled by the founder (pîr) of the order. Therefore, the ritual conductor (şeyh, postnişin) symbolizes the founder. Every ritual form consists of chanting (dhikr) the several divine names (esmâ). While participants perform the divine names with drone-like melodic repetitions or guttural rhythmic ostinatos, musicians perform songs, recitations, and improvisations. Through rhythmic enunciation, body sway, and breath control, these chants are embodied as ostinatos while music fluctuates the mood. This article illustrates how ritual formality and its subjective experience reflect certain concepts of Sufism.","PeriodicalId":29680,"journal":{"name":"Musicologist","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"PROCESSUAL FORM IN SUFI DHIKR RITUAL\",\"authors\":\"Burçin Bahadır Güner\",\"doi\":\"10.33906/musicologist.1014113\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Sufi rituals are believed to be compiled by the founder (pîr) of the order. Therefore, the ritual conductor (şeyh, postnişin) symbolizes the founder. Every ritual form consists of chanting (dhikr) the several divine names (esmâ). While participants perform the divine names with drone-like melodic repetitions or guttural rhythmic ostinatos, musicians perform songs, recitations, and improvisations. Through rhythmic enunciation, body sway, and breath control, these chants are embodied as ostinatos while music fluctuates the mood. This article illustrates how ritual formality and its subjective experience reflect certain concepts of Sufism.\",\"PeriodicalId\":29680,\"journal\":{\"name\":\"Musicologist\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-05-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musicologist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33906/musicologist.1014113\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musicologist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33906/musicologist.1014113","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Sufi rituals are believed to be compiled by the founder (pîr) of the order. Therefore, the ritual conductor (şeyh, postnişin) symbolizes the founder. Every ritual form consists of chanting (dhikr) the several divine names (esmâ). While participants perform the divine names with drone-like melodic repetitions or guttural rhythmic ostinatos, musicians perform songs, recitations, and improvisations. Through rhythmic enunciation, body sway, and breath control, these chants are embodied as ostinatos while music fluctuates the mood. This article illustrates how ritual formality and its subjective experience reflect certain concepts of Sufism.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
