{"title":"麦金利碗的服务和异议,1898-1901","authors":"Joseph H. Larnerd","doi":"10.1086/725904","DOIUrl":null,"url":null,"abstract":"Nationwide media coverage of the massive cut glass bowl gifted to President McKinley in 1898 extended the vessel’s audience from one man to the masses. In this essay, I show how the artifact and its fanfare offered a political service and, perhaps, disservice to the politician’s public image, especially as it pertained to his advocacy for laborers like those foregrounded in many reports of the bowl. Though not commissioned by McKinley or his administration, the bowl celebrated the president as a defender of American industries, like glassmaking, through protective tariffs. Accounts of the gifting and other primary sources support this interpretation. But the bowl could also undercut McKinley’s posturing as the “full dinner pail” candidate for workers in the wake of the 1893 depression. This interpretation requires a more speculative approach attentive to how the object’s materiality intersected with wider discourses around the president, luxury, and labor during the period.","PeriodicalId":43434,"journal":{"name":"American Art","volume":"37 1","pages":"108 - 125"},"PeriodicalIF":0.3000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The McKinley Bowl’s Services and Disservices, 1898–1901\",\"authors\":\"Joseph H. Larnerd\",\"doi\":\"10.1086/725904\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Nationwide media coverage of the massive cut glass bowl gifted to President McKinley in 1898 extended the vessel’s audience from one man to the masses. In this essay, I show how the artifact and its fanfare offered a political service and, perhaps, disservice to the politician’s public image, especially as it pertained to his advocacy for laborers like those foregrounded in many reports of the bowl. Though not commissioned by McKinley or his administration, the bowl celebrated the president as a defender of American industries, like glassmaking, through protective tariffs. Accounts of the gifting and other primary sources support this interpretation. But the bowl could also undercut McKinley’s posturing as the “full dinner pail” candidate for workers in the wake of the 1893 depression. This interpretation requires a more speculative approach attentive to how the object’s materiality intersected with wider discourses around the president, luxury, and labor during the period.\",\"PeriodicalId\":43434,\"journal\":{\"name\":\"American Art\",\"volume\":\"37 1\",\"pages\":\"108 - 125\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"American Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/725904\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"American Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/725904","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
The McKinley Bowl’s Services and Disservices, 1898–1901
Nationwide media coverage of the massive cut glass bowl gifted to President McKinley in 1898 extended the vessel’s audience from one man to the masses. In this essay, I show how the artifact and its fanfare offered a political service and, perhaps, disservice to the politician’s public image, especially as it pertained to his advocacy for laborers like those foregrounded in many reports of the bowl. Though not commissioned by McKinley or his administration, the bowl celebrated the president as a defender of American industries, like glassmaking, through protective tariffs. Accounts of the gifting and other primary sources support this interpretation. But the bowl could also undercut McKinley’s posturing as the “full dinner pail” candidate for workers in the wake of the 1893 depression. This interpretation requires a more speculative approach attentive to how the object’s materiality intersected with wider discourses around the president, luxury, and labor during the period.
期刊介绍:
American Art is a peer-reviewed journal dedicated to exploring all aspects of the nation"s visual heritage from colonial to contemporary times. Through a broad interdisciplinary approach, American Art provides an understanding not only of specific artists and art objects, but also of the cultural factors that have shaped American art over three centuries of national experience. The fine arts are the journal"s primary focus, but its scope encompasses all aspects of the nation"s visual culture, including popular culture, public art, film, electronic multimedia, and decorative arts and crafts. American Art embraces all methods of investigation to explore America·s rich and diverse artistic legacy, from traditional formalism to analyses of social context.