{"title":"在贝拉斯科的赞助下，维多利亚-加泰兹圣玛丽亚大教堂的无瑕受孕教堂","authors":"Fernando R. Bartolomé García","doi":"10.1387/ARS-BILDUMA.17530","DOIUrl":null,"url":null,"abstract":"In this article we focus on the historical-artistic study of the chapel of the Immaculate Conception in Santa Mary's cathedral of Vitoria- Gasteiz. This time we study the moment in which it passed to the Velasco family. To do so, we analyzed its diferent owners from the 17th century up to the 20th and their contributons to the chapel, highlightng the constructon of its main altarpiece during the 18th century.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2017-06-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La capilla de la Inmaculada Concepción de la catedral de Santa María de Vitoria-Gasteiz bajo patronato de los Velasco\",\"authors\":\"Fernando R. Bartolomé García\",\"doi\":\"10.1387/ARS-BILDUMA.17530\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article we focus on the historical-artistic study of the chapel of the Immaculate Conception in Santa Mary's cathedral of Vitoria- Gasteiz. This time we study the moment in which it passed to the Velasco family. To do so, we analyzed its diferent owners from the 17th century up to the 20th and their contributons to the chapel, highlightng the constructon of its main altarpiece during the 18th century.\",\"PeriodicalId\":40150,\"journal\":{\"name\":\"Ars Bilduma\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-06-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Bilduma\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1387/ARS-BILDUMA.17530\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Bilduma","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1387/ARS-BILDUMA.17530","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
La capilla de la Inmaculada Concepción de la catedral de Santa María de Vitoria-Gasteiz bajo patronato de los Velasco
In this article we focus on the historical-artistic study of the chapel of the Immaculate Conception in Santa Mary's cathedral of Vitoria- Gasteiz. This time we study the moment in which it passed to the Velasco family. To do so, we analyzed its diferent owners from the 17th century up to the 20th and their contributons to the chapel, highlightng the constructon of its main altarpiece during the 18th century.
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