B. Stuart, Sharon Wong, R. Goodall, Alice Beale, Chen Chau Chu, P. Nel, Holly Amin-Jones, Paul Thomas
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Safe Storage? An Assessment of Polyethylene for the Storage of Heritage Objects
ABSTRACT Sealable polyethylene bags are widely used to protect and store heritage items. While polyethylene is regarded as a stable material, consideration should be given to potential chemical interactions between the polymer and stored objects. The presence of additives used in manufactured polyethylene storage materials should also be considered when they are used in contact with objects. For this study, infrared spectroscopy has been successfully used to identify storage materials and associated additives, as well as to characterise the chemical changes that they undergo. Three case studies are presented that demonstrate that polyethylene bags can undergo chemical changes when exposed to the typical storage conditions used for heritage objects. The storage of degrading cellulose nitrate items shows that polyethylene undergoes oxidation when exposed to the cellulose nitrate degradation products and is identified as detrimental to long term storage viability of the polyethylene. An investigation of the yellow discolouration of polyethylene bags suggests that the oxidation of antioxidant additives, rather than the polyethylene, is responsible for the colour change. It is also demonstrated that polyethylene bags used in a procedure for the consolidation of archaeological ceramics show an interaction between the adhesive solvent employed and the bag additives.
期刊介绍:
Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture.
Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.