显示出

Toby S. Jenkins, Gloria Boutte, Kamania Wynter-Hoyte
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引用次数: 0

摘要

在本文中,我们以嘻哈文化和黑人文化遗产为中心。我们设想并提供了一个双重框架,阐明了两者之间的交集。我们探索黑人文化经验(或者更好的是黑人文化实践)总是出色而有机地展示了学术成果的形态和形式。黑人文化实践,或具有黑人解放影响的反思行动,总是允许行动自由,身体自由,语言自由和声音自由。我们翻译了这种文化实践所教导和敦促的关于教育者和教育空间的转变、解放和解放的内容。我们展示了嘻哈文化和黑人文化遗产的交集如何对教育工作者具有指导意义和变革意义。我们邀请教育工作者重新设想他们的课堂空间,不仅要关注学习嘻哈,还要从嘻哈中学习。
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Showing Out
In this essay, we center hip-hop culture and Black cultural legacies.  We envision and offer a two-fold framework which illuminates the intersection between the two. We explore ways that the Black cultural experience (or better yet Black cultural praxis) has always brilliantly and organically demonstrated the shape and form of a scholarship of consequence.  Black cultural praxis, or reflective action with a Black emancipatory influence, has always allowed freedom of movement, freedom of body, freedom of tongue, and freedom of voice. We translate what this cultural praxis teaches and urges regarding the transformation, unbinding, and freeing of both educators and educational spaces. We demonstrate how the intersection of hip-hop culture and Black cultural legacies can be instructive and transformative to educators. We invite educators to reimagine their classroom spaces by not only focusing on learning about hip hop but from it as well.
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15 weeks
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