白皮肤,黑奴隶:贝尔纳多·吉马尔斯的《埃斯克拉瓦·伊萨拉》和《全球肥皂剧》

IF 0.1 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY STUDIES IN LATIN AMERICAN POPULAR CULTURE Pub Date : 2017-05-12 DOI:10.7560/SLAPC3508
Raquel Kennon
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引用次数: 0

摘要

文摘:这篇文章的的比较分析,提出了巴西Bernardo吉马良斯写的小说,出版于1875年,流行的同名电视连续剧launched超过一个几百年之后1976年—1977年abolitionist话语关注的背景下,巴西奴隶的角色,性别,和奴役女性的性我们。此外,它质疑了肥皂剧在全球的受欢迎程度,并探讨了这种反奴隶制叙事受欢迎的复杂原因,特别是“几乎是白人”被奴役的妇女伊苏拉的故事。摘要:这篇文章介绍的比较分析小说和巴西的伯纳德•吉马良斯在1875年发表的同名的那样受欢迎的比一百年后在1976年—77年,在废奴主义者的演讲关于巴西的种族奴隶制,性别、性和脆弱性的角色的女性被奴役。此外,它还质疑了这部肥皂剧在全球的受欢迎程度,并探讨了这种反奴隶制叙事受欢迎的复杂原因,特别是“几乎是白人”奴隶伊苏拉的故事。
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White Skin, Black Slavery: Bernardo Guimarães’s A escrava Isaura and the Global Telenovela
Abstract: This article presents a comparative analysis of A escrava Isaura, the Brazilian romance written by Bernardo Guimarães, published in 1875, and the eponymous popular telenovela launched more than one hundred years later in 1976–1977, in the context of abolitionist discourses about slavery in Brazil, the role of gender, and the sexual vulnerability of enslaved women. Moreover, it interrogates the global popularity of the telenovela and explores the complex reasons for the popularity of this antislavery narrative, specifically the story of the “almost white” enslaved woman Isaura. Resumo: Este artigo apresenta uma análise comparativa de A escrava Isaura, o romance brasileiro escrito por Bernardo Guimarães, publicado em 1875, e a epônima telenovela popular lançado mais que cem anos depois nos 1976–77, no contexto dos discursos abolicionistas sobre a escravidão racial no Brasil, o papel do gênero, e a vulnerabilidade sexual das mulheres escravizadas. Além disso, interroga a popularidade global da telenovela e explora as razões complexas pela popularidade desta narrativa antiescravista, especificamente uma historia da escrava “quase branca” Isaura.
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STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
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