Masked Masterpieces: in R≡lational Folds

This paper creatively re-thinks Masked Masterpieces, a COVID-19 public art fundraising initiative for financially at-risk students, organized by Stellenbosch University (SU) and underwritten by donors. The project features five portraits by famous South African artists, re-purposed with protective masks, and installed in large-scale reproductions around Stellenbosch town. In the paper, Masked Masterpieces serves as a generative critical prompt: not for a simplistic ‘unmasking,’ but for a female scholar’s process of thinking through ‘the fold,’ an ‘en/folding’ engagement that turns and returns, erratically reviewing difficult, overlapping subjects linked to masking and mastery. In exploring both the substance and the shape of my thought process, I draw loose inspiration from innovations in mixed-materials structural design, where ‘folded surfaces … respond to spatial inquiries by transforming not into aggregates of fragments but into catalytically interconnected elements’ (Vyzoviti and Sotiriou 524).