{"title":"当代忏悔形式与忏悔艺术","authors":"J. Early","doi":"10.1080/09528822.2022.2074197","DOIUrl":null,"url":null,"abstract":"Abstract Within our twenty-first century confessional landscape, a new set of possibilities for confession has been realised which, in relation to the chronology of confessional art, expands on the political and social conditions visible in pre-millennial cultural politics. The confessional turn in postmodernity requires less of an emphasis on pre-modern frameworks of ritualised Christian confessional discourses. Taking into account the ubiquity of contemporary confessional forms (eg Facebook, Instagram, and the vlog/blogosphere), such historical terms of ritualised confession and its association to power appear almost archaic today. This article focuses on a framework of confessional art that explores a more direct mode of self-disclosure in order to examine self-representation and its relationship to subjectivity. As the boundaries between private and public space become increasingly problematised within this confessional landscape, this article posits that contemporary confessional art gives voice to displaced subjectivities to present a more complex politics of self.","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"36 1","pages":"369 - 382"},"PeriodicalIF":0.3000,"publicationDate":"2022-05-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contemporary Confessional Forms and Confessional Art\",\"authors\":\"J. Early\",\"doi\":\"10.1080/09528822.2022.2074197\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Within our twenty-first century confessional landscape, a new set of possibilities for confession has been realised which, in relation to the chronology of confessional art, expands on the political and social conditions visible in pre-millennial cultural politics. The confessional turn in postmodernity requires less of an emphasis on pre-modern frameworks of ritualised Christian confessional discourses. Taking into account the ubiquity of contemporary confessional forms (eg Facebook, Instagram, and the vlog/blogosphere), such historical terms of ritualised confession and its association to power appear almost archaic today. This article focuses on a framework of confessional art that explores a more direct mode of self-disclosure in order to examine self-representation and its relationship to subjectivity. As the boundaries between private and public space become increasingly problematised within this confessional landscape, this article posits that contemporary confessional art gives voice to displaced subjectivities to present a more complex politics of self.\",\"PeriodicalId\":45739,\"journal\":{\"name\":\"Third Text\",\"volume\":\"36 1\",\"pages\":\"369 - 382\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-05-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Third Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09528822.2022.2074197\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2022.2074197","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Contemporary Confessional Forms and Confessional Art
Abstract Within our twenty-first century confessional landscape, a new set of possibilities for confession has been realised which, in relation to the chronology of confessional art, expands on the political and social conditions visible in pre-millennial cultural politics. The confessional turn in postmodernity requires less of an emphasis on pre-modern frameworks of ritualised Christian confessional discourses. Taking into account the ubiquity of contemporary confessional forms (eg Facebook, Instagram, and the vlog/blogosphere), such historical terms of ritualised confession and its association to power appear almost archaic today. This article focuses on a framework of confessional art that explores a more direct mode of self-disclosure in order to examine self-representation and its relationship to subjectivity. As the boundaries between private and public space become increasingly problematised within this confessional landscape, this article posits that contemporary confessional art gives voice to displaced subjectivities to present a more complex politics of self.
期刊介绍:
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.