当代忏悔形式与忏悔艺术

IF 0.3 3区 艺术学 0 ART Third Text Pub Date : 2022-05-30 DOI:10.1080/09528822.2022.2074197
J. Early
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引用次数: 0

摘要

摘要在我们21世纪的忏悔景观中,忏悔的一系列新的可能性已经实现,与忏悔艺术的年表相关,它扩展了千禧年前文化政治中可见的政治和社会条件。后现代性的忏悔转向需要较少强调仪式化的基督教忏悔话语的前现代框架。考虑到当代忏悔形式(如Facebook、Instagram和vlog/blogsphere)的普遍性,这种仪式化忏悔及其与权力的联系的历史术语在今天似乎几乎过时了。本文聚焦于忏悔艺术的框架,探索一种更直接的自我揭示模式,以考察自我表征及其与主体性的关系。随着私人空间和公共空间之间的界限在这种忏悔景观中变得越来越有问题,本文认为,当代忏悔艺术为被取代的主体性发声,以呈现一种更复杂的自我政治。
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Contemporary Confessional Forms and Confessional Art
Abstract Within our twenty-first century confessional landscape, a new set of possibilities for confession has been realised which, in relation to the chronology of confessional art, expands on the political and social conditions visible in pre-millennial cultural politics. The confessional turn in postmodernity requires less of an emphasis on pre-modern frameworks of ritualised Christian confessional discourses. Taking into account the ubiquity of contemporary confessional forms (eg Facebook, Instagram, and the vlog/blogosphere), such historical terms of ritualised confession and its association to power appear almost archaic today. This article focuses on a framework of confessional art that explores a more direct mode of self-disclosure in order to examine self-representation and its relationship to subjectivity. As the boundaries between private and public space become increasingly problematised within this confessional landscape, this article posits that contemporary confessional art gives voice to displaced subjectivities to present a more complex politics of self.
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来源期刊
Third Text
Third Text ART-
CiteScore
0.40
自引率
0.00%
发文量
39
期刊介绍: Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.
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