{"title":"《电影评论选集》，1923-1931","authors":"J. V. Moltke","doi":"10.1215/0094033x-8607605","DOIUrl":null,"url":null,"abstract":"\n Ten film reviews by Siegfried Kracauer from the 1920s and early 1930s are translated here for the first time, with a brief introduction by the translator. Leaving aside reviews that have already been translated elsewhere, and focusing almost exclusively on the silent period, the present selection was guided by two considerations. First, it includes reviews of several films that have entered the canon of world cinema (The Last Laugh, The Blue Angel, The Man with the Movie Camera, Girls in Uniform). Second, it reflects Kracauer’s attraction, particularly during the early 1920s, to American slapstick.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":"47 1","pages":"73-91"},"PeriodicalIF":0.4000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Selected Film Criticism, 1923–1931\",\"authors\":\"J. V. Moltke\",\"doi\":\"10.1215/0094033x-8607605\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Ten film reviews by Siegfried Kracauer from the 1920s and early 1930s are translated here for the first time, with a brief introduction by the translator. Leaving aside reviews that have already been translated elsewhere, and focusing almost exclusively on the silent period, the present selection was guided by two considerations. First, it includes reviews of several films that have entered the canon of world cinema (The Last Laugh, The Blue Angel, The Man with the Movie Camera, Girls in Uniform). Second, it reflects Kracauer’s attraction, particularly during the early 1920s, to American slapstick.\",\"PeriodicalId\":46595,\"journal\":{\"name\":\"NEW GERMAN CRITIQUE\",\"volume\":\"47 1\",\"pages\":\"73-91\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2020-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NEW GERMAN CRITIQUE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/0094033x-8607605\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW GERMAN CRITIQUE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0094033x-8607605","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Ten film reviews by Siegfried Kracauer from the 1920s and early 1930s are translated here for the first time, with a brief introduction by the translator. Leaving aside reviews that have already been translated elsewhere, and focusing almost exclusively on the silent period, the present selection was guided by two considerations. First, it includes reviews of several films that have entered the canon of world cinema (The Last Laugh, The Blue Angel, The Man with the Movie Camera, Girls in Uniform). Second, it reflects Kracauer’s attraction, particularly during the early 1920s, to American slapstick.
期刊介绍：
Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.
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