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引用次数: 0
摘要
这篇文章的标题是On Mask-Ocracy,是我最近在Third Text Online上发表的两篇较短的文章(http://thirdtext.org/OKane-carnival & http://www.thirdtext.org/okane-maskocracy)的后续文章。这篇新的长篇文章引用了广泛的参考资料,从嘉年华和嘉年华式的活动到最近香港的抗议活动,从澳大利亚的野火到世界范围内的流行病,所有这些都在推测当代社会中日益流行的面具给我们当前对身份、政治代表和民主的现代理解带来了新的(和更新的)关注和影响。“面具统治”是一个新词,作为一种智力策略引入,本文试图为当前和新兴的政治和社会辩论辩护并使其有用。
Abstract The title of the article is On Mask-Ocracy and follows-on from two shorter pieces (http://thirdtext.org/OKane-carnival & http://www.thirdtext.org/okane-maskocracy) that I recently published in Third Text Online. This new, longer article draws on a wide range of references, from carnival and the carnivalesque to recent protests in Hong Kong, from Australian wildfires to the worldwide pandemic, all on the way to speculating that the growing prevalence of masks in contemporary society brings new (and renewed) attention to and implications for, our current, modern understanding of identity, political representation, and democracy. ‘Mask-Ocracy’ is a neologism introduced as an intellectual gambit that this writing seeks to justify and render useful to current and emerging political and social debates.
期刊介绍:
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.