“我只是在这里享受小马”:我的小马,布朗尼和女权主义意图的限制

IF 1.5 Q2 COMMUNICATION Popular Communication Pub Date : 2021-03-25 DOI:10.1080/15405702.2021.1892691
Kyra Hunting, Rebecca C. Hains
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引用次数: 0

摘要

儿童连续剧《我的小马:友谊就是魔法》(简称《Bronies》)中出人意料的成年观众(主要是男性)因其明显违反性别规范而成为广泛评论的对象。根据对2915年《布朗尼》的定性调查,我们认为粉丝圈具有欺骗性的异质性。特别地,我们探讨了布朗粉丝团成员对该系列的女权主义信息的态度,该系列的创造者劳伦·浮士德的女权主义,以及这些信息是否被认为是有影响力的。我们的论文认为,即使在独特的、紧密联系的粉丝群体中,对媒体文本和语境的解释和意识形态反应也存在显著差异。此外,我们认为对扇形物体的解释似乎主要取决于先前存在的态度。最后,我们发现粉丝们利用一些修辞技巧来重新构建媒体文本的信息、制作人的意图和其他观众的反应,以适应他们先前存在的信仰体系。
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“I’m just here to enjoy the Ponies”: My Little Pony, Bronies and the limits of feminist intent
ABSTRACT The unexpected adult, primarily male, audience of the children’s series My Little Pony: Friendship is Magic, known as Bronies, has been the subject of extensive commentary for their apparent violation of gender norms. Drawing from a qualitative survey of a 2915 Bronies we argue that the fandom is deceptively heterogenous. In particular, we explore the attitudes of members of the Brony Fandom to the feminist messages of the series, the feminism of series’ creator Lauren Faust, and whether these messages are perceived as impactful. Our paper argues that even within distinctive, close-knit fan communities interpretations interpretive and ideological responses to a media text and context vary significantly. Further, we argue that interpretations of fan objects appears primarily determined by preexisting attitudes. Ultimately, we find that fans utilize a number of rhetorical techniques to reframe media text’s messages, producer’s intent, and other audience member’s responses to fit their preexisting belief systems.
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
自引率
0.00%
发文量
15
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