{"title":"在《高文爵士与绿衣骑士》中,威拉尔在解除人类灵魂的作用","authors":"Vanessa Jaeger","doi":"10.1353/cjm.2021.0004","DOIUrl":null,"url":null,"abstract":"Abstract:Forests feature prominently in Middle English romance and serve as uncivilized spaces that test knights on their journeys from boyhood to manhood. In this article, I examine how the forest of Wirral from Sir Gawain and the Green Knight functions as more than just a proving ground for Gawain and instead operates as an active participant in the narrative outcomes of the text. Through the application of ecocriticism and an investigation of medieval attitudes toward the natural world, I argue that Gawain and Bertilak experience two different versions of Wirral. Gawain's adversarial relationship with Wirral contrasts Bertilak's copacetic one, demonstrating how differently the forest reacts to those within its borders. By viewing Wirral as a character rather than a landscape, I expose the seriousness with which the Pearl poet meditated on both the natural world and the effect that humans have on it. Such considerations reveal how Wirral voices its opinions and desires, even if the human actors of the text do not share the same language.","PeriodicalId":53903,"journal":{"name":"COMITATUS-A JOURNAL OF MEDIEVAL AND RENAISSANCE STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tongueless Whispering: Wirral's Role in Decentering the Human in Sir Gawain and the Green Knight\",\"authors\":\"Vanessa Jaeger\",\"doi\":\"10.1353/cjm.2021.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Forests feature prominently in Middle English romance and serve as uncivilized spaces that test knights on their journeys from boyhood to manhood. In this article, I examine how the forest of Wirral from Sir Gawain and the Green Knight functions as more than just a proving ground for Gawain and instead operates as an active participant in the narrative outcomes of the text. Through the application of ecocriticism and an investigation of medieval attitudes toward the natural world, I argue that Gawain and Bertilak experience two different versions of Wirral. Gawain's adversarial relationship with Wirral contrasts Bertilak's copacetic one, demonstrating how differently the forest reacts to those within its borders. By viewing Wirral as a character rather than a landscape, I expose the seriousness with which the Pearl poet meditated on both the natural world and the effect that humans have on it. Such considerations reveal how Wirral voices its opinions and desires, even if the human actors of the text do not share the same language.\",\"PeriodicalId\":53903,\"journal\":{\"name\":\"COMITATUS-A JOURNAL OF MEDIEVAL AND RENAISSANCE STUDIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-11-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COMITATUS-A JOURNAL OF MEDIEVAL AND RENAISSANCE STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cjm.2021.0004\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COMITATUS-A JOURNAL OF MEDIEVAL AND RENAISSANCE STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cjm.2021.0004","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Tongueless Whispering: Wirral's Role in Decentering the Human in Sir Gawain and the Green Knight
Abstract:Forests feature prominently in Middle English romance and serve as uncivilized spaces that test knights on their journeys from boyhood to manhood. In this article, I examine how the forest of Wirral from Sir Gawain and the Green Knight functions as more than just a proving ground for Gawain and instead operates as an active participant in the narrative outcomes of the text. Through the application of ecocriticism and an investigation of medieval attitudes toward the natural world, I argue that Gawain and Bertilak experience two different versions of Wirral. Gawain's adversarial relationship with Wirral contrasts Bertilak's copacetic one, demonstrating how differently the forest reacts to those within its borders. By viewing Wirral as a character rather than a landscape, I expose the seriousness with which the Pearl poet meditated on both the natural world and the effect that humans have on it. Such considerations reveal how Wirral voices its opinions and desires, even if the human actors of the text do not share the same language.
期刊介绍:
Comitatus: A Journal of Medieval and Renaissance Studies publishes articles by graduate students and recent PhDs in any field of medieval and Renaissance studies. The journal maintains a tradition of gathering work from across disciplines, with a special interest in articles that have an interdisciplinary or cross-cultural scope.