“寻求财富的菲律宾人”:20世纪20年代殖民地亚洲的爵士乐劳工

IF 1.3 3区 艺术学 0 MUSIC POPULAR MUSIC AND SOCIETY Pub Date : 2022-08-08 DOI:10.1080/03007766.2022.2123476
F. Schenker
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引用次数: 0

摘要

摘要菲律宾音乐家对爵士乐在亚洲的传播起到了至关重要的作用,但他们在音乐史上的地位仍然微不足道。我认为,菲律宾爵士音乐家的出现是基于新的帝国爵士经济的核心矛盾:爵士乐在殖民地亚洲作为一种劳动形式的可能性必须与美国帝国政策的毁灭性影响相结合。此外,菲律宾对亚洲音乐劳动力的半垄断给许多菲律宾人带来了政治自豪感,这是由于工作的种族化等级制度破坏了菲律宾独立的主张。
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“Filipino Seekers of Fortune”: Jazz as Labor in 1920s Colonial Asia
ABSTRACT Filipino musicians were critical for the spread of jazz throughout Asia yet their place in histories of the music remains peripheral. I argue that the emergence of the Filipino jazz musician was based on contradictions central to a new imperial jazz economy: the possibilities of jazz as a form of labor in colonial Asia have to be paired with the devastating impact of U.S. imperial policies. Furthermore, the Filipino semimonopoly on musical labor in Asia that brought many Filipinos a sense of political pride was made possible by racialized hierarchies of work that served to undermine claims for Philippine independence.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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