{"title":"泰米尔电影中性暴力的意义分析:一种混合方法","authors":"P. Karupiah","doi":"10.1080/01292986.2022.2149823","DOIUrl":null,"url":null,"abstract":"ABSTRACT The popular media are important arenas where discourses on sexual violence are often articulated. These discourses are important in the treatment of victim and perpetrator by the state, media, society and – most importantly – by those closely connected to the victim or the perpetrator. Research has consistently linked the viewing of media violence with imitative behavior, increased hostility, and acceptance of violence. This paper focuses on the portrayal of sexual violence in Tamil movies produced in Chennai, India. In this study, twenty-five movies were analyzed using quantitative and qualitative content analysis. Most perpetrators were in supporting roles. Four themes were identified in the analysis: sexual violence as an expression of love; sexual violence as an expression of masculinity; sexual violence and family honor; sexual violence and comedy. The analysis shows that the portrayal of sexual violence in Tamil movies focuses mostly on the loss of honor or virginity and does not focus on the act of violence, or the trauma experienced by the victims. These portrayals are based on a patriarchal understanding of sexual violence and share elements with common rape myths in society.","PeriodicalId":46924,"journal":{"name":"Asian Journal of Communication","volume":"33 1","pages":"20 - 37"},"PeriodicalIF":1.5000,"publicationDate":"2022-11-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Analyzing the meaning of sexual violence in Tamil movies: a mixed method approach\",\"authors\":\"P. Karupiah\",\"doi\":\"10.1080/01292986.2022.2149823\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The popular media are important arenas where discourses on sexual violence are often articulated. These discourses are important in the treatment of victim and perpetrator by the state, media, society and – most importantly – by those closely connected to the victim or the perpetrator. Research has consistently linked the viewing of media violence with imitative behavior, increased hostility, and acceptance of violence. This paper focuses on the portrayal of sexual violence in Tamil movies produced in Chennai, India. In this study, twenty-five movies were analyzed using quantitative and qualitative content analysis. Most perpetrators were in supporting roles. Four themes were identified in the analysis: sexual violence as an expression of love; sexual violence as an expression of masculinity; sexual violence and family honor; sexual violence and comedy. The analysis shows that the portrayal of sexual violence in Tamil movies focuses mostly on the loss of honor or virginity and does not focus on the act of violence, or the trauma experienced by the victims. These portrayals are based on a patriarchal understanding of sexual violence and share elements with common rape myths in society.\",\"PeriodicalId\":46924,\"journal\":{\"name\":\"Asian Journal of Communication\",\"volume\":\"33 1\",\"pages\":\"20 - 37\"},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2022-11-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Journal of Communication\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/01292986.2022.2149823\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Journal of Communication","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/01292986.2022.2149823","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
Analyzing the meaning of sexual violence in Tamil movies: a mixed method approach
ABSTRACT The popular media are important arenas where discourses on sexual violence are often articulated. These discourses are important in the treatment of victim and perpetrator by the state, media, society and – most importantly – by those closely connected to the victim or the perpetrator. Research has consistently linked the viewing of media violence with imitative behavior, increased hostility, and acceptance of violence. This paper focuses on the portrayal of sexual violence in Tamil movies produced in Chennai, India. In this study, twenty-five movies were analyzed using quantitative and qualitative content analysis. Most perpetrators were in supporting roles. Four themes were identified in the analysis: sexual violence as an expression of love; sexual violence as an expression of masculinity; sexual violence and family honor; sexual violence and comedy. The analysis shows that the portrayal of sexual violence in Tamil movies focuses mostly on the loss of honor or virginity and does not focus on the act of violence, or the trauma experienced by the victims. These portrayals are based on a patriarchal understanding of sexual violence and share elements with common rape myths in society.
期刊介绍:
Launched in 1990, Asian Journal of Communication (AJC) is a refereed international publication that provides a venue for high-quality communication scholarship with an Asian focus and perspectives from the region. We aim to highlight research on the systems and processes of communication in the Asia-Pacific region and among Asian communities around the world to a wide international audience. It publishes articles that report empirical studies, develop communication theory, and enhance research methodology. AJC is accepted by and listed in the Social Science Citation Index (SSCI) published by Clarivate Analytics. The journal is housed editorially at the Wee Kim Wee School of Communication and Information at Nanyang Technological University in Singapore, jointly with the Asian Media Information and Communication Centre (AMIC).