艾玛·昆兹的整体项目:当艺术成为更多的东西

IF 0.1 0 ART Ars Bilduma Pub Date : 2021-03-29 DOI:10.1387/ARS-BILDUMA.21615
Íñigo Sarriugarte Gómez
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引用次数: 0

摘要

瑞士艺术家艾玛·昆兹(Emma Kunz, 1892-1963)创造了丰富的充满活力的图案,这些图案在视觉和象征上接近于yantras和mandalas。虽然在这方面没有找到可靠的数据,但根据参考书目,以及创造者自己的博物馆所做的贡献,人们相信她阅读了帕拉塞尔苏斯的炼金术文献和基督教文本,以及赫尔墨斯学校的书面资料。她的大多数图形都是为了治疗目的而制作的,她相信这些图形会发出一种波形,当人们观看它们时,这种波形会影响病人或观看者。
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El proyecto holístico de Emma Kunz: cuando el arte se convierte en algo más
The Swiss artist Emma Kunz (1892-1963) developed a rich production of energetic patterns, which assumed a visual and symbolic proximity to yantras and mandalas. Although no reliable data have been found in this regard, according to the bibliography consulted, as well as the contributions made by the creator's own museum, it is believed that she read the alchemical literature of Paracelsus and Christian texts, as well as written sources of hermetic schools. The majority of her graphics was made for therapeutic purposes, in the belief that they emitted a wave form in a way that could affect the patient or viewer when they were viewed.
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来源期刊
自引率
0.00%
发文量
17
审稿时长
10 weeks
期刊最新文献
PAYO HERNANZ, René Jesús; ZAPARAÍN YÁÑEZ, María José: Trazas, proyectos y diseños de la Edad Moderna en Burgos en el Archivo Histórico Provincial (1575-1802) BILBAO SALSIDUA, Mikel: Entre el arte y el diseño gráfico. Las carátulas de discos en la producción discográfica de Euskal Herria desde mediados del siglo XX intervención de los Areizábal en la iglesia de San Miguel de Alfaro (La Rioja) en el siglo XVI patronazgo artístico de Gracia de Olazábal: del estudio de su dote a las obras y negocios familiares ALCALÁ, Luisa Elena; GONZÁLEZ GARCÍA, Juan Luis (eds.): Spolia Sancta. Reliquias y arte entre el Viejo y el Nuevo Mundo
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