{"title":"哥特文学的分类差距:理查德·马什《甲虫》中分类的失败","authors":"L. McReynolds","doi":"10.1080/08905495.2023.2195353","DOIUrl":null,"url":null,"abstract":"‘That,’ said Sydney in my ear, ‘is the voice and that is the manner of a hypnotised man, but, on the other hand, a person under influence generally responds only to the hypnotist, – which is another feature about our peculiar friend which arouses my suspicions.... [to Holt] Do you think that this is a performance in a booth, and that I am to be taken in by all the humbug of the professional mesmerist?’ (Marsh 2004, 224–225)","PeriodicalId":43278,"journal":{"name":"Nineteenth-Century Contexts-An Interdisciplinary Journal","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Gothic’s taxonomic gap: failures of classification in Richard Marsh’s The Beetle\",\"authors\":\"L. McReynolds\",\"doi\":\"10.1080/08905495.2023.2195353\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"‘That,’ said Sydney in my ear, ‘is the voice and that is the manner of a hypnotised man, but, on the other hand, a person under influence generally responds only to the hypnotist, – which is another feature about our peculiar friend which arouses my suspicions.... [to Holt] Do you think that this is a performance in a booth, and that I am to be taken in by all the humbug of the professional mesmerist?’ (Marsh 2004, 224–225)\",\"PeriodicalId\":43278,\"journal\":{\"name\":\"Nineteenth-Century Contexts-An Interdisciplinary Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth-Century Contexts-An Interdisciplinary Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08905495.2023.2195353\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth-Century Contexts-An Interdisciplinary Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08905495.2023.2195353","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The Gothic’s taxonomic gap: failures of classification in Richard Marsh’s The Beetle
‘That,’ said Sydney in my ear, ‘is the voice and that is the manner of a hypnotised man, but, on the other hand, a person under influence generally responds only to the hypnotist, – which is another feature about our peculiar friend which arouses my suspicions.... [to Holt] Do you think that this is a performance in a booth, and that I am to be taken in by all the humbug of the professional mesmerist?’ (Marsh 2004, 224–225)
期刊介绍：
Nineteenth-Century Contexts is committed to interdisciplinary recuperations of “new” nineteenth centuries and their relation to contemporary geopolitical developments. The journal challenges traditional modes of categorizing the nineteenth century by forging innovative contextualizations across a wide spectrum of nineteenth century experience and the critical disciplines that examine it. Articles not only integrate theories and methods of various fields of inquiry — art, history, musicology, anthropology, literary criticism, religious studies, social history, economics, popular culture studies, and the history of science, among others.
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