Q3 Arts and Humanities Swedish Journal of Romanian Studies Pub Date : 2022-05-15 DOI:10.35824/sjrs.v5i1.23884
Cristina Hermeziu
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引用次数: 0

摘要

2004年,也就是Facebook成立的那一年之后,社交网络作为社会中日益广泛和普遍的沟通和关系方式的问题也投资于文学领域,成为文学评论的一个组成部分。在某种程度上,所谓数字一代的作家,分别是直接在通信技术社会中出生和形成的作家,不能再忽视社交网络在被塑造人物日常生活中的存在,这创造了什么样的想象文学?我们的分析重点是拉维尼娅·布兰尼小说中的叙事声音如何与社交网络建立元批判关系,尤其是在2016年出版的第一部小说《零号内政》的宇宙中。我们感兴趣的是,在千禧一代和存在的虚拟化时代,文学在多大程度上是一种通过宣泄进行本体论抵抗的微妙形式。
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Imaginarul rețelelor de socializare și poetica distanțării în romanul Interior Zero de Lavinia Braniște
After 2004, the year when Facebook was created, the issue of social networks as increasingly widespread and generalized ways of communication and relationship in society also invested in the field of literature, becoming an ingredient of the literary diegesis. To the extent that the writers of the so-called digital generation, respectively the one born and formed directly in the society of communication technologies, can no longer ignore the presence of social networks in the daily lives of created characters, what kind of imaginary literature does this create? Our analysis focuses on how the narrative voice in Lavinia Braniște's novels establishes a meta-critical relationship with social networks, especially in the universe of the first novel, Interior Zero, published in 2016. We are interested in finding out to what extent, in the age of millennials and the virtualization of existence, literature is a subtle form of ontological resistance through catharsis.
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来源期刊
Swedish Journal of Romanian Studies
Swedish Journal of Romanian Studies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
25
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