“邪恶种族”:乌托邦、斯宾塞与文化混杂的危险

IF 0.3 3区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES COMITATUS-A JOURNAL OF MEDIEVAL AND RENAISSANCE STUDIES Pub Date : 2022-11-15 DOI:10.1353/cjm.2022.0005
Kersti Francis
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引用次数: 0

摘要

摘要:在16世纪的英国文学中,种族间、宗教间和文化间混合的潜力——即文化混杂——是焦虑的常见来源。都铎王朝开始征服爱尔兰后,当代作家和英爱政策制定者强调,爱尔兰文化,尤其是其语言、法律和习俗,被视为削弱了英国霸权,并要求根除。本文在托马斯·莫尔(Thomas More)的《乌托邦》(1516)和埃德蒙·斯宾塞(Edmund Spenser)的《爱尔兰现状》(1596)这两本书中考察了都铎王朝对殖民主义和文化混杂的态度,每本书都聚焦于文化异族通婚的一个产物——混血儿的地位。通过对莫尔对殖民事业理想化后果的刻画和斯宾塞对英国帝国主义在爱尔兰的种族灭绝幻想的审问,我认为,由于混血儿的本体论界限,文化混杂性对前者来说是不可分割的、危险的,对后者来说是内在的破坏性。
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"An evill race": Utopia, Spenser, and the Dangers of Cultural Hybridity
Abstract:The potential of interracial, interreligious, and intercultural mixing—that is, cultural hybridity—was a frequent source of anxiety in the literature of sixteenth-century England. Following the start of the Tudor conquest of Ireland, contemporary writers and makers of Anglo-Irish policy emphasized that Irish culture, especially its language, laws, and customs, was seen as debilitating to English hegemony and demanded eradication. This article examines Tudor attitudes toward colonialization and cultural hybridity in two texts, Thomas More's Utopia (1516) and Edmund Spenser's A View of the Present State of Ire-land (1596), each of which focus on the position of one product of cultural intermarriage, the hybrid child. Through an interrogation of both More's portrayal of an idealized aftermath of colonial enterprise and Spenser's genocidal fantasy of English imperialism in Ire-land, I argue that cultural hybridity is simultaneously rendered integral and dangerous to the former and inherently destructive to the latter due to the ontological liminality of the hybrid child.
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期刊介绍: Comitatus: A Journal of Medieval and Renaissance Studies publishes articles by graduate students and recent PhDs in any field of medieval and Renaissance studies. The journal maintains a tradition of gathering work from across disciplines, with a special interest in articles that have an interdisciplinary or cross-cultural scope.
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