披上意义:19世纪美国的文学、劳动和棉花

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Dress-The Journal of the Costume Society of America Pub Date : 2022-12-13 DOI:10.1080/03612112.2022.2152975
S. Fu
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引用次数: 0

摘要

棉花作为极少数“上升到隐喻地位”的物品之一,引起了学术界的极大关注。人们对棉花贸易、棉花的物质文化及其与全球经济的复杂关系的研究兴趣日益浓厚。西尔维娅·詹金斯·库克的《意义中的衣着:19世纪美国的文学、劳动和棉花》作为第一次尝试详尽地挖掘19世纪美国文学中棉花、动产、布料和服装之间的相互关系而脱颖而出。库克断言,“由棉花推动的时尚革命向非精英阶层许诺了优雅、多样和自我奢华投射的乐趣,而这些在以前是精英阶层的专属”(149)。她的研究重点是棉花行业的劳动人民,将个人故事和触感巧妙地融入读者对棉花历史和美国经济的理解中。全书由导言、八章和结语组成。引言描述了研究的主题和结构,首先声称服装很重要,因为它“以一种共生的联系在身体上明显地记录下来,在认知上在头脑中记录下来”(1)。这种联系在19世纪美国棉花工业中被奴役的人和其他劳动者的棉花经验和服装意识中得到了充分的体现。库克认为,对这些群体的口头话语和写作的探索阐明了他们的主体性,他们在“棉花帝国”和“时尚帝国”的构成中不可或缺的角色,以及他们对美国文学发展的重要性,尤其是新兴的非裔美国文学。第一章集中论述了19世纪40年代中期出现在洛厄尔著作中的女工的写作,这篇综述是由江苏省哲学社会科学办公室资助的(No. 20WWB002)。
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Clothed in Meaning: Literature, Labor, and Cotton in Nineteenth-Century America
As one of the very few items that “ascend to metaphorical stature,” cotton has attracted great academic attention. Lively interest has been growing in the investigation of the cotton trade, its material culture, and its complicated nexus with the global economy. Sylvia Jenkins Cook’s Clothed in Meaning: Literature, Labor, and Cotton in Nineteenth-Century America stands out as the first attempt to exhaustively excavate the reciprocal relationships between cotton, chattel, cloth, and clothing in nineteenth-century American literature. Cook asserts that “the fashion revolution driven by cotton promised the nonelite the elegance, variety, and joy in the sumptuary projections of selfhood that were formerly the exclusive preserve of the elite” (149). She focuses her study on laboring people in the cotton industry, deftly weaving personal stories and tactile sensation into the readers’ understanding of cotton history and American economy. The book consists of an introduction, eight chapters, and a conclusion. The introduction describes the subject and structure of the research, starting with the claim that clothing is important because it “registers palpably on the body and cognitively in the mind in a symbiotic connection” (1). Such a connection is fully shown in the cotton experience and clothing awareness of enslaved people and other laborers involved in the nineteenth-century cotton industry in the United States. Cook argues that an exploration into these groups’ oral discourse and writing articulates their subjectivity, their indispensable role in the constitution of the “empire of cotton” and “empire of fashion,” and their importance to the development of American literature, especially the burgeoning African American literature. The first chapter concentrates on the writing of women factory workers in the mid-1840s that appeared in the Lowell Work on this review was financially supported by Jiangsu Office of Philosophy and Social Sciences under Grant (No. 20WWB002).
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