{"title":"未知时刻：政策、准备和反思的空隙","authors":"Clare Hammoor, D. Littman","doi":"10.1080/10632913.2022.2037484","DOIUrl":null,"url":null,"abstract":"Abstract What happens when a teaching artist ends their studies unprepared? How do theater teaching artists navigate unpreparedness in their work? Using three personal vignettes, we explore reflexivity toward our own unrehearsed moments and contextualize our experiences within teaching artist preparation literature. From learning how to ‘show up’ as a teaching artist, to navigating school policies around ‘deserving’ participation, to reaching the bounds of their therapeutic training as non-clinicians, we re-encounter moments for which we were unprepared, despite extensive preparation and education. Ultimately, we suggest key questions that teaching artists can reflect upon in such moments, in the hopes of building more reflexive practices, programs, and policies in the field of teaching artistry.","PeriodicalId":37632,"journal":{"name":"Arts Education Policy Review","volume":"124 1","pages":"86 - 93"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Unrehearsed moments: interstices of policy, preparation, and reflexivity\",\"authors\":\"Clare Hammoor, D. Littman\",\"doi\":\"10.1080/10632913.2022.2037484\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract What happens when a teaching artist ends their studies unprepared? How do theater teaching artists navigate unpreparedness in their work? Using three personal vignettes, we explore reflexivity toward our own unrehearsed moments and contextualize our experiences within teaching artist preparation literature. From learning how to ‘show up’ as a teaching artist, to navigating school policies around ‘deserving’ participation, to reaching the bounds of their therapeutic training as non-clinicians, we re-encounter moments for which we were unprepared, despite extensive preparation and education. Ultimately, we suggest key questions that teaching artists can reflect upon in such moments, in the hopes of building more reflexive practices, programs, and policies in the field of teaching artistry.\",\"PeriodicalId\":37632,\"journal\":{\"name\":\"Arts Education Policy Review\",\"volume\":\"124 1\",\"pages\":\"86 - 93\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-02-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arts Education Policy Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10632913.2022.2037484\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts Education Policy Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10632913.2022.2037484","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
Unrehearsed moments: interstices of policy, preparation, and reflexivity
Abstract What happens when a teaching artist ends their studies unprepared? How do theater teaching artists navigate unpreparedness in their work? Using three personal vignettes, we explore reflexivity toward our own unrehearsed moments and contextualize our experiences within teaching artist preparation literature. From learning how to ‘show up’ as a teaching artist, to navigating school policies around ‘deserving’ participation, to reaching the bounds of their therapeutic training as non-clinicians, we re-encounter moments for which we were unprepared, despite extensive preparation and education. Ultimately, we suggest key questions that teaching artists can reflect upon in such moments, in the hopes of building more reflexive practices, programs, and policies in the field of teaching artistry.
期刊介绍：
Arts Education Policy Review ( AEPR) presents discussion of major policy issues in arts education in the United States and throughout the world. Addressing education in music, visual arts, theatre, and dance, the journal presents a variety of views and emphasizes critical analysis. Its goal is to produce the most comprehensive and rigorous exchange of ideas available on arts education policy. Policy examinations from multiple viewpoints are a valuable resource not only for arts educators, but also for administrators, policy analysts, advocacy groups, parents, and audiences—all those involved in the arts and concerned about their role in education. AEPR focuses on analyses and recommendations focused on policy. The goal of any article should not be description or celebration (although reports of successful programs could be part of an article). Any article focused on a program (or programs) should address why something works or does not work, how it works, how it could work better, and most important, what various policy stakeholders (from teachers to legislators) can do about it. AEPR does not promote individuals, institutions, methods, or products. It does not aim to repeat commonplace ideas. Editors want articles that show originality, probe deeply, and take discussion beyond common wisdom and familiar rhetoric. Articles that merely restate the importance of arts education, call attention to the existence of issues long since addressed, or repeat standard solutions will not be accepted.
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