Rwa Bhineda Kriya在巴厘岛对Jagadhita的概念

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Wacana Seni-Journal of Art Discourse Pub Date : 2020-12-31 DOI:10.21315/WS2020.19.4
I. K. Sunarya
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引用次数: 1

摘要

巴厘岛的“rwa bhineda”概念反映在“kriya”、宗教、旅游和当地海关作为监管机构的相互交织中。这些品质使“克里亚”美丽,因为它在执行其功能方面非常充分,即满足宗教和非宗教的需要。这种艺术是神圣和世俗的,反映了“kaja”(北)和“kelod”(南)的性质,这表示山脉和海洋,或上游(上)和“teben”(下)。在巴厘岛的“克里亚”中,这一概念以“巴龙”和“朗达”的形式表现出来,作为善与恶的象征。“克里亚”,看起来令人毛骨悚然,令人恐惧,但让你错过它,有一个装饰的功能,使寺庙美丽和舒适,就像地球上的天堂。这种情况表明,巴厘岛印度教社区的活动在仪式层面上,旅游业也充满了“克里亚”的活力。这种艺术在各种变化中成长和发展,作为灵魂在满足“jagadhita”生活必需品的持续表现而出现。
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The Concept of Rwa Bhineda Kriya on the Island of Bali towards Jagadhita
The concept of “rwa bhineda” on the island of Bali is reflected in the intertwining of “kriya,” religion, tourism and local customs as regulators. These qualities make “kriya” beautiful because it is very adequate in carrying out its functions, namely meeting religious and non-religious needs. This art is sacred and profane, reflecting the nature of “kaja” (north) and “kelod” (south), which denotes mountains and sea, or upstream (above) and “teben” (below). In “kriya” on the island of Bali, this concept is manifested in the form of “barong” and “rangda” as symbols of good and evil. The “kriya,” which appear creepy, frightening, but making you miss it, have a function as decorations, making the temple beautiful and comfortable like heaven on earth. This situation shows the activities of the Balinese Hindu community at the ceremonial level and also tourism is full of “kriya” dynamics. This art grows and develops in various variations, emerging as a continuous manifestation of the soul in fulfilling the necessities of life towards the “jagadhita.”
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来源期刊
Wacana Seni-Journal of Art Discourse
Wacana Seni-Journal of Art Discourse HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
50.00%
发文量
10
期刊介绍: Wacana Seni Journal of Arts Discourse, a refereed journal of the School of the Arts, published by Penerbit Universiti Sains Malaysia, promotes the advancement of scholarly knowledge about the arts and design particularly in Malaysia and Asia. The journal publishes articles with theoretical approaches from various disciplines, artists’ statements about creative processes, conversational dialogues with prominent artists, as well as reviews of books, recordings, exhibitions, and performances.
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