葡萄牙19世纪音乐的数字资源:“还有很长的路要走”

IF 0.2 3区 艺术学 N/A MUSIC Nineteenth-Century Music Review Pub Date : 2023-08-14 DOI:10.1017/s1479409823000228
Luísa Cymbron, Joana Peliz
{"title":"葡萄牙19世纪音乐的数字资源:“还有很长的路要走”","authors":"Luísa Cymbron, Joana Peliz","doi":"10.1017/s1479409823000228","DOIUrl":null,"url":null,"abstract":"Discussing music in Portugal in the nineteenth century, and the digital resources that the country makes available for musicological research on this historical period, requires, first of all, a clarification about the chronological boundaries that limit this temporal unit. One can naturally understand that the periodization to be adopted should be the most obvious, that is, the one that determines the dates 1801 and 1900 as the beginning and end of the century in question. But it is worth asking whether it would not be more appropriate to define a periodization based on the events that unequivocally determined the panorama of music in Portugal in that century.","PeriodicalId":41351,"journal":{"name":"Nineteenth-Century Music Review","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-08-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Digital Sources for Nineteenth Century Music in Portugal: ‘A Long Way to Run’\",\"authors\":\"Luísa Cymbron, Joana Peliz\",\"doi\":\"10.1017/s1479409823000228\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Discussing music in Portugal in the nineteenth century, and the digital resources that the country makes available for musicological research on this historical period, requires, first of all, a clarification about the chronological boundaries that limit this temporal unit. One can naturally understand that the periodization to be adopted should be the most obvious, that is, the one that determines the dates 1801 and 1900 as the beginning and end of the century in question. But it is worth asking whether it would not be more appropriate to define a periodization based on the events that unequivocally determined the panorama of music in Portugal in that century.\",\"PeriodicalId\":41351,\"journal\":{\"name\":\"Nineteenth-Century Music Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-08-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nineteenth-Century Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1479409823000228\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nineteenth-Century Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1479409823000228","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

讨论19世纪葡萄牙的音乐,以及该国为这一历史时期的音乐学研究提供的数字资源,首先需要澄清限制这一时间单位的时间界限。人们自然可以理解,所采用的分期法应该是最明显的,即将1801年和1900年确定为本世纪的开始和结束的分期法。但值得一问的是,根据明确决定了那个世纪葡萄牙音乐全景的事件来定义分期是否更合适。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Digital Sources for Nineteenth Century Music in Portugal: ‘A Long Way to Run’
Discussing music in Portugal in the nineteenth century, and the digital resources that the country makes available for musicological research on this historical period, requires, first of all, a clarification about the chronological boundaries that limit this temporal unit. One can naturally understand that the periodization to be adopted should be the most obvious, that is, the one that determines the dates 1801 and 1900 as the beginning and end of the century in question. But it is worth asking whether it would not be more appropriate to define a periodization based on the events that unequivocally determined the panorama of music in Portugal in that century.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
66.70%
发文量
58
期刊最新文献
Zanden Jos van der. Beethoven and Greco-Roman Antiquity (Abingdon: Routledge, 2022). xvi + 272 pp. £130.00 (cloth), £38.99 (paper), £35.09 (ebook). China National Knowledge Infrastructure (CNKI) as a Resource for Nineteenth-Century Music Studies Clara & Robert Schumann: Piano Concertos Beatrice Rana, pianoChamber Orchestra of EuropeYannick Nézet-Séguin, conductorWarner Classics, 5419729625, 2023(1 CD: 57 minutes) £12.75 Richard Strauss Online Nineteenth-Century Women in Music: MuGI, Sophie Drinker, Art Song Augmented and BID
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1