规范俄罗斯工艺美术

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Experiment-A Journal of Russian Culture Pub Date : 2019-09-30 DOI:10.1163/2211730x-12341345
Ludmila Piters-Hofmann
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引用次数: 0

摘要

1913年3月10日,在女皇亚历山德拉·费多罗夫娜的赞助下,“第二届全俄库斯塔展览会”在圣彼得堡开幕。这是俄罗斯帝国最大的民间艺术和kustar商品展览,在公众中取得了巨大成功,极大地塑造了外行对俄罗斯民间艺术的看法。尽管这次展览在学术界引起了相当大的关注,但它主要是从评论家的角度进行讨论的。本文通过重建促成展览公众成功的组织努力,以及分析组委会对当代媒体批评的反应,提供了补充性的见解。
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Regulating Russian Arts and Crafts
On March 10, 1913, the “Second All-Russian Kustar Exhibition” opened in St. Petersburg under the patronage of the Empress Alexandra Fedorovna. The largest display of folk art and kustar goods in Imperial Russia, it was a huge success with the public and significantly shaped the layman’s view of Russian folk art. Although this exhibition has garnered considerable attention within the scholarly discourse, it has mainly been discussed from the critics’ point of view. This article provides complementary insights by reconstructing the organizational efforts that contributed to the public success of the exhibition and by analyzing the reaction of the organizing committee to criticism in the contemporary press.
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来源期刊
Experiment-A Journal of Russian Culture
Experiment-A Journal of Russian Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
50.00%
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