{"title":"去语境化还是再语境化：纳普施泰克博物馆的藏传佛教","authors":"Helena Heroldová","doi":"10.1515/anpm-2017-0028","DOIUrl":null,"url":null,"abstract":"Abstract The study based on the preparation of Příběh Tibetu [The Story of Tibet] exhibition in the Náprstek Museum focuses on the de-contextualisation of Tibetan Buddhism objects in the museum setting. It deals with the stages of the decontextualisation process from the removing of the original material environment and social context to creation of new meanings in the museum. Namely it discusses aestheticisation and its relation to the art-gallery style exhibition.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"38 1","pages":"31 - 42"},"PeriodicalIF":0.0000,"publicationDate":"2017-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"De-Contextualisation or Re-Contextualisation: Tibetan Buddhism in the Náprstek Museum\",\"authors\":\"Helena Heroldová\",\"doi\":\"10.1515/anpm-2017-0028\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The study based on the preparation of Příběh Tibetu [The Story of Tibet] exhibition in the Náprstek Museum focuses on the de-contextualisation of Tibetan Buddhism objects in the museum setting. It deals with the stages of the decontextualisation process from the removing of the original material environment and social context to creation of new meanings in the museum. Namely it discusses aestheticisation and its relation to the art-gallery style exhibition.\",\"PeriodicalId\":38203,\"journal\":{\"name\":\"Annals of the Naprstek Museum\",\"volume\":\"38 1\",\"pages\":\"31 - 42\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Annals of the Naprstek Museum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/anpm-2017-0028\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annals of the Naprstek Museum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/anpm-2017-0028","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
De-Contextualisation or Re-Contextualisation: Tibetan Buddhism in the Náprstek Museum
Abstract The study based on the preparation of Příběh Tibetu [The Story of Tibet] exhibition in the Náprstek Museum focuses on the de-contextualisation of Tibetan Buddhism objects in the museum setting. It deals with the stages of the decontextualisation process from the removing of the original material environment and social context to creation of new meanings in the museum. Namely it discusses aestheticisation and its relation to the art-gallery style exhibition.
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