{"title":"一个无法识别和外星物体的实验室:关于UFOlab对形成采用批判认识论的贡献","authors":"Lene Myong","doi":"10.18261/ISSN.1504-3029-2018-03-05","DOIUrl":null,"url":null,"abstract":"This article reflects on the artist collective UFOlab: Unidentified Foreign Object Laboratory. During its active period from 2004–2010 the collective was formative in creating a critical adoption epistemology challenging the knowledge regime that underpins transnational adoption. The article suggests that UFOlab politicized transnational adoption through a number of interventions aiming to transform the figure of the adoptee from a passive and infantilized object of knowledge into a critical and political subject.","PeriodicalId":32091,"journal":{"name":"Kunst og Kultur","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-10-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Et laboratorium for de uidentificerbare og fremmede objekter: Om UFOlabs bidrag til at udforme en adoptionskritisk epistemologi\",\"authors\":\"Lene Myong\",\"doi\":\"10.18261/ISSN.1504-3029-2018-03-05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article reflects on the artist collective UFOlab: Unidentified Foreign Object Laboratory. During its active period from 2004–2010 the collective was formative in creating a critical adoption epistemology challenging the knowledge regime that underpins transnational adoption. The article suggests that UFOlab politicized transnational adoption through a number of interventions aiming to transform the figure of the adoptee from a passive and infantilized object of knowledge into a critical and political subject.\",\"PeriodicalId\":32091,\"journal\":{\"name\":\"Kunst og Kultur\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-10-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kunst og Kultur\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18261/ISSN.1504-3029-2018-03-05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kunst og Kultur","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18261/ISSN.1504-3029-2018-03-05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Et laboratorium for de uidentificerbare og fremmede objekter: Om UFOlabs bidrag til at udforme en adoptionskritisk epistemologi
This article reflects on the artist collective UFOlab: Unidentified Foreign Object Laboratory. During its active period from 2004–2010 the collective was formative in creating a critical adoption epistemology challenging the knowledge regime that underpins transnational adoption. The article suggests that UFOlab politicized transnational adoption through a number of interventions aiming to transform the figure of the adoptee from a passive and infantilized object of knowledge into a critical and political subject.