卡,柜,和压缩在早期库存摄影

IF 0.6 4区 管理学 Q1 HISTORY Information & Culture Pub Date : 2021-11-01 DOI:10.7560/ic56301
Diana Kamin
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引用次数: 0

摘要

本文以20世纪20年代的库存摄影先驱H. Armstrong Roberts为例,从历史的角度来看待经济,或者说图像按照市场逻辑流通的文化条件。本文认为压缩是一种前数字文化技术,它协调了物理、技术和叙事结构。罗伯茨使用定制裁剪的卡片、接触式打印、现成的卡片目录系统和原始的基于主题的字母数字排序系统,制作了一个模拟图像数据库,将他的视觉库存压缩成离散的信息位,反映了图像作为不可分割内容的更广泛概念,并创造了一种新的商业美学。
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Cards, Cabinets, and Compression in Early Stock Photography
abstract:Using the case study of 1920s stock photography pioneer H. Armstrong Roberts, this article argues for a historical perspective on the iconomy, or the cultural condition in which images circulate according to market logics. The article argues that compression is a predigital cultural technique that coordinates physical, technical, and narrative structures. Using custom-cut cards, contact prints, a ready-made card catalog system, and an original subject-based alphanumeric ordering system, Roberts produced an analog image database that compressed his visual inventory into discrete bits of information, reflecting a broader conception of the image as alienable content and creating a new commercial aesthetic.
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来源期刊
CiteScore
0.80
自引率
16.70%
发文量
18
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