{"title":"共和国的回忆:1649-1659年英国内战的回忆","authors":"I. Atherton","doi":"10.1080/14780038.2023.2210866","DOIUrl":null,"url":null,"abstract":"18-page bibliography at the end which duplicates the individual bibliographies that had occurred at the end of each chapter, one feels that the book could have been extended to include a fuller discussion of certain key topics. For instance, it is disappointing that the vexed question of who actually engraved the plates to Micrographia is passed over without discussion, despite the survival of significant clues on the subject. In the chapter on Willughby, the relationship between the collection of drawings owned by Willughy and Ray and extant collections in the British Library and at Brown University is not as fully elucidated as might have been desired, while there is a tantalising reference to the descent of such drawings to the eighteenth-century ornithological engraver, George Edwards, which cries out for a more detailed discussion. As for the account of illustrations in Philosophical Transactions, interesting as the case-studies given are, they merely scratch the surface of what is potentially a vast topic. In all, one can only hope that this is by no means the author’s final word on her chosen topic.","PeriodicalId":45240,"journal":{"name":"Cultural & Social History","volume":"20 1","pages":"462 - 464"},"PeriodicalIF":0.5000,"publicationDate":"2023-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Recollection in the Republics: Memories of the British Civil Wars in England, 1649-1659\",\"authors\":\"I. Atherton\",\"doi\":\"10.1080/14780038.2023.2210866\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"18-page bibliography at the end which duplicates the individual bibliographies that had occurred at the end of each chapter, one feels that the book could have been extended to include a fuller discussion of certain key topics. For instance, it is disappointing that the vexed question of who actually engraved the plates to Micrographia is passed over without discussion, despite the survival of significant clues on the subject. In the chapter on Willughby, the relationship between the collection of drawings owned by Willughy and Ray and extant collections in the British Library and at Brown University is not as fully elucidated as might have been desired, while there is a tantalising reference to the descent of such drawings to the eighteenth-century ornithological engraver, George Edwards, which cries out for a more detailed discussion. As for the account of illustrations in Philosophical Transactions, interesting as the case-studies given are, they merely scratch the surface of what is potentially a vast topic. In all, one can only hope that this is by no means the author’s final word on her chosen topic.\",\"PeriodicalId\":45240,\"journal\":{\"name\":\"Cultural & Social History\",\"volume\":\"20 1\",\"pages\":\"462 - 464\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-05-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural & Social History\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14780038.2023.2210866\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural & Social History","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14780038.2023.2210866","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
Recollection in the Republics: Memories of the British Civil Wars in England, 1649-1659
18-page bibliography at the end which duplicates the individual bibliographies that had occurred at the end of each chapter, one feels that the book could have been extended to include a fuller discussion of certain key topics. For instance, it is disappointing that the vexed question of who actually engraved the plates to Micrographia is passed over without discussion, despite the survival of significant clues on the subject. In the chapter on Willughby, the relationship between the collection of drawings owned by Willughy and Ray and extant collections in the British Library and at Brown University is not as fully elucidated as might have been desired, while there is a tantalising reference to the descent of such drawings to the eighteenth-century ornithological engraver, George Edwards, which cries out for a more detailed discussion. As for the account of illustrations in Philosophical Transactions, interesting as the case-studies given are, they merely scratch the surface of what is potentially a vast topic. In all, one can only hope that this is by no means the author’s final word on her chosen topic.
期刊介绍:
Cultural & Social History is published on behalf of the Social History Society (SHS). Members receive the journal as part of their membership package. To join the Society, please download an application form on the Society"s website and follow the instructions provided.