《最后的笑及其来世:20世纪70年代墨尔本建筑的新兴叙事》

Kirsten Day, P. Raisbeck
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摘要

摘要1978年,在墨尔本一个受欢迎的喜剧场所举行的建筑师会议以一片混乱告终。这并不奇怪,毕竟约翰·平德的科林伍德剧院于1976年开业,名为“最后一笑剧院餐厅和动物园”。那里有斗殴、大喊大叫、流氓活动、暴力和大量醉酒。会议旨在从组织外部而非内部建立一个替代保守派RAIA的方案。但混乱的发展,可能部分是因为没有固定的议程,这一事件被墨尔本建筑和文化的神话所铭记,成为又一次由麻烦的腹部发起的失败起义。本文利用从公共和私人档案以及采访中获得的材料,追踪了这一事件的轨迹。这一事件在澳大利亚建筑界具有重要意义,因为墨尔本建筑师处理了惠特拉姆项目(1972–75)的理想。此外,在最后一笑的会议标志着拉里金主义在建筑话语中的出现,因为澳大利亚建筑师接受了后现代主义,试图对抗贵族和令人尴尬的近代史。
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The Last Laugh and Its Afterlife: Emerging Narratives in 1970s Melbourne Architecture
ABSTRACT A meeting of architects in Melbourne at a popular comedy venue in 1978, ended in disarray. It should be no surprise, after all John Pinder’s Collingwood venue, which opened in 1976, was called, “The Last Laugh Theatre Restaurant and Zoo.” There were fisticuffs, yelling, hoodlum activity, violence, and a huge amount of drunkenness. The meeting was to establish an alternative to the conservative RAIA from outside the organisation rather than within. But mayhem developed, probably in part due to there being no set agenda, and the event came to be inscribed in the mythologies of Melbourne architecture and culture as yet another failed uprising by a troublesome underbelly. Using material gained from public and private archives, as well as interviews, this paper traces the trajectories of this event. This event is important in Australian architecture as Melbourne architects processed the ideals of the Whitlam project (1972–75). Moreover, the meeting at the Last Laugh signifies the emergence in architectural discourse of a larrikinism, as Australian architects embraced post-modernism seeking to counter a patrician and cringe-worthy recent history.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
26
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