未来的手语:艾彻1972年慕尼黑奥运会标志和象形图思想的批判史

IF 0.3 4区 艺术学 0 ART Journal of Design History Pub Date : 2023-07-11 DOI:10.1093/jdh/epac058
W. Bakker
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引用次数: 0

摘要

Otl Aicher和他的团队为1972年慕尼黑奥运会设计的标志和象形文字被认为是设计史上的一个里程碑。通过这项工作,Aicher回应了他认为在20世纪60年代标志和象形文字最重要的挑战:缺乏语法和视觉清晰度。他对此有具体的想法,并在他的设计和作品中表达出来。到目前为止,这些想法几乎没有被探索过。本研究批判性地重建了艾歇尔关于慕尼黑奥运会标志和象形文字的起源、发展和呈现。在这些设计中,他试图用发展一种功能性手语的愿望来解决他对几何的热爱。他在这一领域的工作代表了20世纪60年代现代设计的关键时刻,当时现代主义设计师将他们的偏好从抽象的符号系统转变为象形文字系统。
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The Future Sign Language: A Critical History of Aicher’s Ideas About Signs and Pictograms for the 1972 Munich Olympics
The signs and pictograms designed by Otl Aicher and his team for the Munich Olympics in 1972 are regarded as a milestone in design history. With this work, Aicher responded to what he thought were the most important challenges for signs and pictograms during the 1960s: the lack of grammar and visual clarity. He had specific ideas about this which he expressed in his designs as well as in his writings. So far, these ideas have hardly been explored. This study critically reconstructs the origins, development, and presentation of Aicher’s ideas about signs and pictograms for the Munich Olympics. In these designs, he tried to resolve his love for geometry with his desire to develop a functional sign language. His work in this area represents a pivotal moment in modern design during the 1960s, in which modernist designers switched their preference from abstract sign systems to pictogram systems.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
46
期刊介绍: Journal of Design History is a leading journal in its field. It plays an active role in the development of design history (including the history of the crafts and applied arts), as well as contributing to the broader field of studies of visual and material culture. The journal includes a regular book reviews section and lists books received, and from time to time publishes special issues.
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