“作为女权主义平台的体裁:诊断、愤怒和连续剧”

IF 2.4 2区 文学 Q1 COMMUNICATION Television & New Media Pub Date : 2023-05-26 DOI:10.1177/15274764231171067
Kathleen Mchugh
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引用次数: 1

摘要

神经多样性女性主角的创造是如何使女性的愤怒在普遍可行的情况下摆脱传统的污名的?《疯狂的前女友》、《身体》和《我可能毁灭你》的女性电视节目制作人通过主角的诊断,将音乐喜剧和自动小说等时尚流派作为女权主义平台。这些诊断促进了一系列的一般性叙述,其中规范和病理(女性化污名、羞耻和厌恶的基础)之间的区别被颠倒或模糊。结果是一种交叉的复杂性(类型世界和愤怒、神经多样的性格),尖锐地质疑规范性的社会限制。这些节目中的女性、有色人种和酷儿角色从污名化的情感(羞耻、厌恶、抑郁、愤怒)和不良行为(跟踪、欺凌、撒谎、欺骗、复仇、暴力)中产生了交叉的“麻烦”。他们对愤怒、神经多样性人物的叙述为改写有关女性愤怒、性、野心和欲望的文化规范提供了强有力的女权主义平台。
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“Genre as Feminist Platform: Diagnosis, Anger, and Serial T.V.”
How has the creation of neurodiverse female protagonists worked to make women’s anger generically viable, stripped of conventional stigma? The female T.V. showrunners of Crazy-Ex Girlfriend, Physical, and I May Destroy You fashion genres from musical comedy to autofiction, as feminist platforms through their leads’ diagnoses. These diagnoses facilitate serial generic narratives where the distinction between norm and pathology (the basis of feminized stigma, shame, and abjection) is inverted or blurred. What results is an intersectional complexity (of genre world and angry, neurodiverse character) that calls normative social strictures pointedly into question. These shows’ female, of color and queer characters generate intersectional “trouble” from stigmatized affects (shame, abjection, depression, rage) and bad behaviors (stalking, bullying, lying, and deception, vengeance, violence). Their narratives of angry, neurodiverse characters provide trenchant feminist platforms for rewriting cultural norms concerning women’s anger, sexuality, ambition, and appetite.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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