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引用次数: 0
摘要
有了有机玻璃——表面上的清晰度侮辱了人们所知道的真实景象。这种“清晰”的视角掩盖了被低估的人,他们的场景下有被低估的地点、接缝的重写本和被切开的亮点。它有划痕,长的,宽的,毁灭性的,符文眩晕令状X’ed up cognition,在水龙头上涂鸦,在顶部,一个镜头。一个聚焦在上面的镜头,在画好的名字上,制作得新鲜而光滑,字形堆叠在无法到达的地方,高高的拉链。造型骄傲,喷雾滑动的象征主义,碎石图形,在这里制作的划痕下可以看到;明智的做法是,沿着有麻点的砖块喷上了标志性的痕迹。
Plexiglass, and: Several Cosmological Turns, and: Available Choices
With Plexiglass — apparent clarity insults the sights one knows are real. Such “clear-through” view belies the under-seen, whose under-scene has under-sites, palimpsests of seams and slashed brights. It’s scratched on, long, wide, ruination, runic stun-writ X’ed up cogitation, graffiti on tap, on top, a lens. A lens to focus on the overThere, on painted names, made fresh and slick, glyphs stacked scaling up unreachable spots highing zip. Styled pridelines, spray-slid onomastics, screedy graphics, seen under scratchings made here; wise to there, signature marks sprayed along the pock-marked brick.