三幅19世纪克罗地亚Bans肖像的荣誉徽章

Peristil Pub Date : 2022-03-31 DOI:10.17685/peristil.64.3
Marina Bregovac Pisk, Matea Brstilo Rešetar
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引用次数: 0

摘要

在19世纪,克罗地亚连续出现了19位总督和平庸的副手,他们中大多数人的肖像都被保存在肖像中。他们不常被描绘成国家徽章和尊严象征;因此,本文呈现的三幅具有代表性的肖像画,即Ignjat Gyulay、Josip Jelačić和LadislavPejačević的肖像画更为有趣。这些肖像以其自身的方式证明了克罗地亚、达尔马提亚和斯拉沃尼亚三国在哈布斯堡王朝内部的政治立场,以及后来的奥匈帝国,以及克罗地亚禁令的作用和权威。它们是著名画家的作品,保存在萨格勒布的罗马尼亚历史博物馆。
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Insignia of Honour on Three 19th-Century Portraits of Croatian Bans
During the 19th century, Croatia saw a succession of nineteen bans (viceroys) and banal deputies, and the likeness of most of them has been preserved in portraits. They were not often depicted with state insignia and dignity symbols; therefore, the three representative portraits to be presented in this paper, those of Ignjat Gyulay, Josip Jelačić and Ladislav Pejačević, are the more interesting. In their own way, these portraits are a testimony of the political position of the Triune Kingdom of Croatia, Dalmatia and Slavonia within the Habsburg and, later on, Austro-Hungarian Monarchy as well as the role and authority of the Croatian ban. They are works by prominent painters and are kept in the holdings of the Croatian History Museum in Zagreb.
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12 weeks
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