{"title":"自传体纪录片：展现自我的档案和蒙太奇","authors":"Vladimir Rosas, R. Dittus","doi":"10.1080/17503280.2020.1815123","DOIUrl":null,"url":null,"abstract":"ABSTRACT This essay aims to examine how archival material is repurposed within autobiographical documentaries in order to reconstruct the documentarian filmmaker’s self in relation to their family. It is plausible for the filmmaker to explore their own identity by reexamining their family history, especially with interviews and observational devices; however, domestic media plays a particular role in creating a supporting discourse that finds new meanings from the confrontation of statements and images. By analyzing three examples of autobiographical documentaries, namely Tarnation (Jonathan Caouette, 2003), 51 Birch Street (Doug Black, 2005) and The Marina Experiment (Marina Lutz, 2009), we will explore how the re-contextualization of personal images works as a narrative strategy to unveil identity contestations in American autobiographical filmmaking.","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"15 1","pages":"203 - 219"},"PeriodicalIF":0.5000,"publicationDate":"2020-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17503280.2020.1815123","citationCount":"2","resultStr":"{\"title\":\"The autobiographical documentary: archive and montage to represent the self\",\"authors\":\"Vladimir Rosas, R. Dittus\",\"doi\":\"10.1080/17503280.2020.1815123\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This essay aims to examine how archival material is repurposed within autobiographical documentaries in order to reconstruct the documentarian filmmaker’s self in relation to their family. It is plausible for the filmmaker to explore their own identity by reexamining their family history, especially with interviews and observational devices; however, domestic media plays a particular role in creating a supporting discourse that finds new meanings from the confrontation of statements and images. By analyzing three examples of autobiographical documentaries, namely Tarnation (Jonathan Caouette, 2003), 51 Birch Street (Doug Black, 2005) and The Marina Experiment (Marina Lutz, 2009), we will explore how the re-contextualization of personal images works as a narrative strategy to unveil identity contestations in American autobiographical filmmaking.\",\"PeriodicalId\":43545,\"journal\":{\"name\":\"Studies in Documentary Film\",\"volume\":\"15 1\",\"pages\":\"203 - 219\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2020-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17503280.2020.1815123\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Documentary Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503280.2020.1815123\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Documentary Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503280.2020.1815123","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
The autobiographical documentary: archive and montage to represent the self
ABSTRACT This essay aims to examine how archival material is repurposed within autobiographical documentaries in order to reconstruct the documentarian filmmaker’s self in relation to their family. It is plausible for the filmmaker to explore their own identity by reexamining their family history, especially with interviews and observational devices; however, domestic media plays a particular role in creating a supporting discourse that finds new meanings from the confrontation of statements and images. By analyzing three examples of autobiographical documentaries, namely Tarnation (Jonathan Caouette, 2003), 51 Birch Street (Doug Black, 2005) and The Marina Experiment (Marina Lutz, 2009), we will explore how the re-contextualization of personal images works as a narrative strategy to unveil identity contestations in American autobiographical filmmaking.
期刊介绍：
Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
