{"title":"“你不应该憎恨信仰”:舒尔金写给塔蒂舍夫的信","authors":"Анна Сергеева-Клятис (Anna Sergeeva-Klyatis)","doi":"10.1016/j.ruslit.2022.09.006","DOIUrl":null,"url":null,"abstract":"<div><p>In the period from autumn 1894 to spring 1896, while Vera Komissarzhevskaya was acting on the stage of the Vilna Theater (Nezlobin’s enterprise), her friendly relations with the high-ranking state dignitary, diplomat, and publicist Sergei Tatishchev began. Tatishchev offered to use his influence in theatrical circles to help Komissarzhevskaya sign a lucrative contract with the Alexandrinsky Imperial Theatre, where she aspired to act. Their correspondence, which lasted almost a year, reveals, on the one hand, Komissarzhevskaya’s determination to continue her theatrical career, and on the other, the complex personal history of her relationship with Tatishchev. Included in this article are letters to Tatishchev from Komissarzhevskaya’s mother Maria Shulgina, which give another point of view on the circumstances and fill in the gaps in the actress’s biography. Shulgina’s letters are published for the first time.</p></div>","PeriodicalId":43192,"journal":{"name":"RUSSIAN LITERATURE","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Вы не должны […] негодовать на Веру”: Письма М.Н. Шульгиной С.С. Татищеву\",\"authors\":\"Анна Сергеева-Клятис (Anna Sergeeva-Klyatis)\",\"doi\":\"10.1016/j.ruslit.2022.09.006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<div><p>In the period from autumn 1894 to spring 1896, while Vera Komissarzhevskaya was acting on the stage of the Vilna Theater (Nezlobin’s enterprise), her friendly relations with the high-ranking state dignitary, diplomat, and publicist Sergei Tatishchev began. Tatishchev offered to use his influence in theatrical circles to help Komissarzhevskaya sign a lucrative contract with the Alexandrinsky Imperial Theatre, where she aspired to act. Their correspondence, which lasted almost a year, reveals, on the one hand, Komissarzhevskaya’s determination to continue her theatrical career, and on the other, the complex personal history of her relationship with Tatishchev. Included in this article are letters to Tatishchev from Komissarzhevskaya’s mother Maria Shulgina, which give another point of view on the circumstances and fill in the gaps in the actress’s biography. Shulgina’s letters are published for the first time.</p></div>\",\"PeriodicalId\":43192,\"journal\":{\"name\":\"RUSSIAN LITERATURE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN LITERATURE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://www.sciencedirect.com/science/article/pii/S030434792200093X\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, SLAVIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN LITERATURE","FirstCategoryId":"1085","ListUrlMain":"https://www.sciencedirect.com/science/article/pii/S030434792200093X","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, SLAVIC","Score":null,"Total":0}
“Вы не должны […] негодовать на Веру”: Письма М.Н. Шульгиной С.С. Татищеву
In the period from autumn 1894 to spring 1896, while Vera Komissarzhevskaya was acting on the stage of the Vilna Theater (Nezlobin’s enterprise), her friendly relations with the high-ranking state dignitary, diplomat, and publicist Sergei Tatishchev began. Tatishchev offered to use his influence in theatrical circles to help Komissarzhevskaya sign a lucrative contract with the Alexandrinsky Imperial Theatre, where she aspired to act. Their correspondence, which lasted almost a year, reveals, on the one hand, Komissarzhevskaya’s determination to continue her theatrical career, and on the other, the complex personal history of her relationship with Tatishchev. Included in this article are letters to Tatishchev from Komissarzhevskaya’s mother Maria Shulgina, which give another point of view on the circumstances and fill in the gaps in the actress’s biography. Shulgina’s letters are published for the first time.
期刊介绍:
Russian Literature combines issues devoted to special topics of Russian literature with contributions on related subjects in Croatian, Serbian, Czech, Slovak and Polish literatures. Moreover, several issues each year contain articles on heterogeneous subjects concerning Russian Literature. All methods and viewpoints are welcomed, provided they contribute something new, original or challenging to our understanding of Russian and other Slavic literatures. Russian Literature regularly publishes special issues devoted to: • the historical avant-garde in Russian literature and in the other Slavic literatures • the development of descriptive and theoretical poetics in Russian studies and in studies of other Slavic fields.