{"title":"切罗基人的错失:吉米·亨德里克斯音乐中的本土影响与自然形而上学","authors":"M. Crawford","doi":"10.1080/03007766.2022.2099196","DOIUrl":null,"url":null,"abstract":"ABSTRACT This paper shows that native culture and mythology is a more pervasive influence in the music of Jimi Hendrix than has been hitherto appreciated, and also fully explores the extent to which natural imagery features in both Hendrix’s song writing and in his instrumental innovations. It argues that indigenous influences and natural metaphysics are crucial to understanding the meaning and effectiveness of Hendrix’s songs; his transcendence of the black-white binary and the rigid musical categories that confined so many of his contemporaries; and his contributions to the evolution of music.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"45 1","pages":"568 - 583"},"PeriodicalIF":1.3000,"publicationDate":"2022-08-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cherokee Missed: Indigenous Influence and Natural Metaphysics in the Music of Jimi Hendrix\",\"authors\":\"M. Crawford\",\"doi\":\"10.1080/03007766.2022.2099196\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This paper shows that native culture and mythology is a more pervasive influence in the music of Jimi Hendrix than has been hitherto appreciated, and also fully explores the extent to which natural imagery features in both Hendrix’s song writing and in his instrumental innovations. It argues that indigenous influences and natural metaphysics are crucial to understanding the meaning and effectiveness of Hendrix’s songs; his transcendence of the black-white binary and the rigid musical categories that confined so many of his contemporaries; and his contributions to the evolution of music.\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"45 1\",\"pages\":\"568 - 583\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-08-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2022.2099196\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2022.2099196","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Cherokee Missed: Indigenous Influence and Natural Metaphysics in the Music of Jimi Hendrix
ABSTRACT This paper shows that native culture and mythology is a more pervasive influence in the music of Jimi Hendrix than has been hitherto appreciated, and also fully explores the extent to which natural imagery features in both Hendrix’s song writing and in his instrumental innovations. It argues that indigenous influences and natural metaphysics are crucial to understanding the meaning and effectiveness of Hendrix’s songs; his transcendence of the black-white binary and the rigid musical categories that confined so many of his contemporaries; and his contributions to the evolution of music.
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.