20世纪和21世纪歌剧中的标签诅咒

Q3 Arts and Humanities Byzantion Nea Hellas Pub Date : 2018-10-01 DOI:10.4067/S0718-84712018000100099

Ronald Forero, Lucio Martín Forero Álvarez

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引用次数: 0

摘要

在20世纪和21世纪，斯特拉文斯基（俄狄浦斯-雷克斯，1927年）、埃内斯库（俄狄普，1936年）、奥尔夫（安提戈涅，1949年；俄狄浦斯·德·泰伦，1959年）、特纳奇（希腊语，1988年）、狄奥多拉基斯（ΑΓτιγίη，1999年）、勒根德雷（底比斯葬礼，2008年）和安德森（底比斯，2014年）等创作了关于Labdacids神话的歌剧。如果考虑到浪漫主义时期门德尔松只有两部音乐剧与底比斯周期的人物有关，这是一个非常重要的事实（Antigone，1841年和Oedipus auf Kolonos，1845年）。因此，本文的目的是分析1901年以来创作的关于这个神话的歌剧，以了解它在当代歌剧语境中的复兴。

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La maldición de los labdácidas en la ópera de los siglos XX y XXI

In the 20th and 21th centuries, Stravinsky (Oedipus Rex, 1927), Enescu (Oedipe, 1936), Orff (Antigone, 1949; Oedipus der Tyrann, 1959), Turnage (Greek, 1988), Theodorakis (Αντιγόνη, 1999), Le Gendre (The Burial at Thebes, 2008), and Anderson (Thebans, 2014), among others, composed operas about the myth of Labdacids. A fact quite significant if it is taken into account that during romanticism there are just two musical dramas by Mendelssohn related to characters of the Theban Cycle (Antigone, 1841 and Oedipus auf Kolonos, 1845). The aim of this article, therefore, is to analyse the operas about this myth composed since 1901 in order to understand its resurgence in the contemporary operatic context.

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来源期刊

Byzantion Nea Hellas Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

16 weeks

期刊介绍： Byzantion Nea Hellás, is yearly journal of Greek, Byzantine and Neohellenic studies, founded in 1970. It publishes original scientific research articles pertaining to the domain of Greek studies, in Spanish, Portuguese, French, and English. The aim of the journal is to foster the publication of works by national and foreign researchers working in the three main areas of Greek culture, as well as the academic interchange between researchers and teaching staff who deal with these subjects.