Justin Ariel Bailey的书评:解读你的世界:参与神学和文化的五个镜头

Robert Mao
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引用次数: 0

摘要

Justin Ariel Bailey(博士)曾担任牧师,也是多特大学神学副教授。他的作品《解读你的世界》以20年前Kevin Vanhoozer教授对文化解释学的介绍为指导。牧师的首要任务是传道和事奉神的道;因此,必须考虑到原始和当代的文化语境,才能有效地将单词带到世界上。正如文化就像宗教一样,它塑造了一个人渴望上帝话语的心。在这个失败的世界里,人类与上帝脱节,是由我们在日常生活中根深蒂固的文化形成的,甚至是我们阅读和解读《圣经》的方式。贝利的五个镜头促成了“神学与文化的对话”(xi)。他没有将神学和文化视为光谱的两端,而是将文化视为积极的“活神学”,两者都解释了我们的世界。圣灵和上帝的话语是精神形成的机构。尽管如此,理解文化及其功能使单词在其文化语境中成为“地球上精神形成的强大手段”(第十二页)。贝利还将文化视为“世界”的广义同义词,而不是上帝的世界,上帝的王国。因此,两个世界之间的对话至关重要。这本书旨在参与从我们的文化世界观转变为基督教世界观的文化和神学对话,以回应造物主三位一体的上帝。贝利在书中的崇高目标是培养文化想象力。最有力的论点是,没有简单的拒绝和取代文化的方法,也没有简单的文化参与,而是文化的安置。如果有人把神学和文化之间的对话看作是在比较他们所说的话,那么神学就有了优越的视角,而文化总是站在错误的一边。Bailey引入了一个新的比喻,即对话必须考虑“说了什么”、内容、“怎么说”、上下文、“谁”在说话,以及与对话伙伴的联系。在这种方法中,文化被视为一种文本,让我们通过不同的视角来辨别其含义并更多地看待它。此外,Bailey为对话提供了三个不同的文化文学介词:首先,文化神学将文化视为我们所做的“工作”。它在每一代人中都会根据植根于圣经和基督教解释传统的圣经神学观点来评估、证明或定位我们当前的文化活动,从而得到更新。第二,来自文化的神学将文化视为我们所辨别的“世界”。它试图识别和抵制任何从各种文化文物中隐含出来的富有想象力的宇宙的神学愿景。最后,文化神学以我们的想象为目标,将文化视为我们编织并与他人分享的“网”。它利用圣经神学资源来创建和培养我们的社区。通过Bailey的五个镜头,我们可以在五章中分别从五个维度看到文化:(1)文化的语义有点像病毒,但很多都像书评一样
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Book Review: Interpreting Your World: Five Lenses for Engaging Theology and Culture by Justin Ariel Bailey
Justin Ariel Bailey (PhD) has served as a pastor and is an associate professor of theology at Dordt University. His writing Interpreting Your World is orientated by Professor Kevin Vanhoozer’s introduction to cultural hermeneutics about 20 years ago. A pastor’s primary task is preaching and ministering the Word of God; therefore, the original and contemporary cultural contexts must be considered to bring the Word effectively to bear upon the world. As culture is like religion, it shapes one’s heart to longing for the Word of God. In the failed world, humans disconnect from God, and are formed by the culture in which we are hardwired in our everyday lives, even how we read and interpret the Bible. Bailey’s five lenses enable “the dialogue between theology and the culture” (p. xi). He did not treat theology and culture at the two ends of the spectrum, but culture as active “lived theology” that both interprets our world. The Holy Spirit and the Word of God are spiritual formation agencies. Nevertheless, understanding the culture and its function brings the Word in its cultural contexts as a “powerful means of spiritual formation on earth” (p. xii). Bailey also saw culture as broadly synonymous with the “world” as opposed to God’s world, the kingdom of God. Therefore, the dialogue between the two worlds is essential. The book aims to engage culture and theology conversation transformed from our cultural worldview to a Christian worldview in response to the Creator, the triune God. Bailey’s noble goal in his book is to discipline the cultural imagination. The strongest argument is that there is not a simple method of rejection and replacement of culture, nor a simple engagement of culture, but rather an emplacement of culture. If one sees the conversation between theology and culture as comparing what they say, theology takes a superior perspective, and the culture is always on the wrong side. Bailey introduced a new metaphor that the conversation must consider “what” is said, the content, “how” it is said, the context, and “who” is speaking, the connection to the conversation partner. In this approach, culture is treated as a text for us to discern its meaning and see it more through different lenses. Further, Bailey gives three different cultural literary prepositions for the conversation: First, the theology of culture sees culture as a “work” we do. It is renewed in every generation by evaluating, justifying, or orienting our current cultural activities in light of biblical-theological views rooted in Scripture and Christian traditions of interpretation. Second, the theology from culture sees culture as a “world” we discern. It seeks to identify and resist any theological visions of an imaginative universe that implicitly emerge from various cultural artifacts. Lastly, the theology for culture aims at our imagination and sees culture as a “web”weweave and share with others. It draws biblical-theological resources to create and cultivate our communities. Through Bailey’s five lenses, one can see culture in five dimensions respectively in five chapters: (1) The semantic meaning a bit of culture works like a virus, but many works together as an Book Review
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