黑人父亲、嘻哈和内心生活:解读Rapsody的《男人》、Sol妈妈和N.U.T.S的《男子气概》

IF 1.3 3区 艺术学 0 MUSIC POPULAR MUSIC AND SOCIETY Pub Date : 2022-10-06 DOI:10.1080/03007766.2022.2132064
Kellie D. Hay, Rebekah Farrugia
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引用次数: 0

摘要

本文通过分析两支嘻哈音乐录影带:Rapsody的《The Man》和Mama Sol,以及N.U.T.S的《Manhood》,对情感、美学和黑人内心生活进行了理论化的探讨。两位作者运用了卡西的“安静的内心”概念和罗斯的“(内在)个人正义”概念来考察嘻哈父亲身份形成的美学。通过审视内心生活的动态,文章展示了复杂的城市形态中父亲身份的社会建构。作者的结论是,这两个嘻哈视频举例说明,在公共展示的私密空间可以创造政治破裂和文化复苏的场所。
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Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”
ABSTRACT This article theorizes affect, aesthetics, and black inner life through an analysis of two hip hop music videos: Rapsody’s “The Man” and Mama Sol and The N.U.T.S.’s “Manhood.” The authors deploy Quashie’s notion of “the quiet interior” and Rose’s concept of “(inter)personal justice” to examine the aesthetics through which hip hop fatherhood is forged. Scrutinizing the dynamics of inner life, the article showcases the social construction of fatherhood in complex, urban formations. The authors conclude that these two hip hop videos exemplify the ways in which intimate spaces on public display can create sites of political rupture and cultural recovery.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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