{"title":"黑人父亲、嘻哈和内心生活:解读Rapsody的《男人》、Sol妈妈和N.U.T.S的《男子气概》","authors":"Kellie D. Hay, Rebekah Farrugia","doi":"10.1080/03007766.2022.2132064","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article theorizes affect, aesthetics, and black inner life through an analysis of two hip hop music videos: Rapsody’s “The Man” and Mama Sol and The N.U.T.S.’s “Manhood.” The authors deploy Quashie’s notion of “the quiet interior” and Rose’s concept of “(inter)personal justice” to examine the aesthetics through which hip hop fatherhood is forged. Scrutinizing the dynamics of inner life, the article showcases the social construction of fatherhood in complex, urban formations. The authors conclude that these two hip hop videos exemplify the ways in which intimate spaces on public display can create sites of political rupture and cultural recovery.","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2022-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”\",\"authors\":\"Kellie D. Hay, Rebekah Farrugia\",\"doi\":\"10.1080/03007766.2022.2132064\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article theorizes affect, aesthetics, and black inner life through an analysis of two hip hop music videos: Rapsody’s “The Man” and Mama Sol and The N.U.T.S.’s “Manhood.” The authors deploy Quashie’s notion of “the quiet interior” and Rose’s concept of “(inter)personal justice” to examine the aesthetics through which hip hop fatherhood is forged. Scrutinizing the dynamics of inner life, the article showcases the social construction of fatherhood in complex, urban formations. The authors conclude that these two hip hop videos exemplify the ways in which intimate spaces on public display can create sites of political rupture and cultural recovery.\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-10-06\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2022.2132064\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2022.2132064","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Black Fatherhood, Hip Hop, and Inner Life: Reading Rapsody’s “The Man” and Mama Sol and the N.U.T.S.’s “Manhood”
ABSTRACT This article theorizes affect, aesthetics, and black inner life through an analysis of two hip hop music videos: Rapsody’s “The Man” and Mama Sol and The N.U.T.S.’s “Manhood.” The authors deploy Quashie’s notion of “the quiet interior” and Rose’s concept of “(inter)personal justice” to examine the aesthetics through which hip hop fatherhood is forged. Scrutinizing the dynamics of inner life, the article showcases the social construction of fatherhood in complex, urban formations. The authors conclude that these two hip hop videos exemplify the ways in which intimate spaces on public display can create sites of political rupture and cultural recovery.
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.