{"title":"发掘土著:在最近的视听作品中描绘的法属加勒比人在国家组织下向法国大陆迁移的过程(1963年至1982年)","authors":"Eva Jørholt","doi":"10.1080/09639489.2022.2083092","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article explores four recent audiovisual productions that bring to light the state-organized mass migration of French West Indians from Martinique and Guadeloupe to mainland France through BUMIDOM (Bureau pour le développement des migrations dans les départements d’outre-mer) during the 1960s and 1970s. Vehemently criticized at the time—some observers even comparing it to the slave trade—BUMIDOM ended up being largely obfuscated from the collective national memory. Each in its own way, the four productions—two documentaries, Bumidom—Des Français venus d’Outre-mer (2011) and L’Avenir est ailleurs (2007), as well as the fictional TV mini series Le Rêve français (2018) and the feature film Le Gang des Antillais (2016)—unearth the humiliation experienced by the Martinicans and Guadeloupeans handled by BUMIDOM and how it enhanced their feeling of being perceived as not entirely French. After examining the productions, the article concludes by discussing them in relation to the concept of creoleness—as advocated by Jean Bernabé, Patrick Chamoiseau and Raphaël Confiant in Éloge de la créolité (1989)—and the ‘desire for conviviality’: to what extent can an excavation of a painful and contentious past be helpful in that respect?","PeriodicalId":44362,"journal":{"name":"Modern & Contemporary France","volume":"30 1","pages":"275 - 293"},"PeriodicalIF":0.3000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Unearthing BUMIDOM: the state-organized migration of French Caribbeans to mainland France (1963-1982) as portrayed in recent audiovisual productions\",\"authors\":\"Eva Jørholt\",\"doi\":\"10.1080/09639489.2022.2083092\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article explores four recent audiovisual productions that bring to light the state-organized mass migration of French West Indians from Martinique and Guadeloupe to mainland France through BUMIDOM (Bureau pour le développement des migrations dans les départements d’outre-mer) during the 1960s and 1970s. Vehemently criticized at the time—some observers even comparing it to the slave trade—BUMIDOM ended up being largely obfuscated from the collective national memory. Each in its own way, the four productions—two documentaries, Bumidom—Des Français venus d’Outre-mer (2011) and L’Avenir est ailleurs (2007), as well as the fictional TV mini series Le Rêve français (2018) and the feature film Le Gang des Antillais (2016)—unearth the humiliation experienced by the Martinicans and Guadeloupeans handled by BUMIDOM and how it enhanced their feeling of being perceived as not entirely French. After examining the productions, the article concludes by discussing them in relation to the concept of creoleness—as advocated by Jean Bernabé, Patrick Chamoiseau and Raphaël Confiant in Éloge de la créolité (1989)—and the ‘desire for conviviality’: to what extent can an excavation of a painful and contentious past be helpful in that respect?\",\"PeriodicalId\":44362,\"journal\":{\"name\":\"Modern & Contemporary France\",\"volume\":\"30 1\",\"pages\":\"275 - 293\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-07-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modern & Contemporary France\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09639489.2022.2083092\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modern & Contemporary France","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09639489.2022.2083092","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 1
摘要
本文探讨了最近的四个视听作品,揭示了在20世纪60年代和70年代期间,法属西印度群岛人通过BUMIDOM (Bureau pour le ddecimement des migrations dans les ddecpartements d’re-mer)从马提尼克岛和瓜德罗普岛到法国大陆的国家组织的大规模移民。当时受到激烈的批评——一些观察家甚至将其与奴隶贸易相提并论——最终在很大程度上与国家集体记忆相混淆。这四部作品分别以各自的方式——两部纪录片《流浪者》(2011年)和《流浪者之路》(2007年),以及虚构的电视迷你剧《流浪者Rêve》(2018年)和故事片《安提罗伊人》(2016年)——揭示了流浪者处理的马丁尼人和瓜德罗普人所经历的羞辱,以及它如何增强了他们被视为不完全是法国人的感觉。在研究了这些作品之后,文章最后讨论了它们与克里奥尔概念的关系——正如Jean bernab、Patrick Chamoiseau和Raphaël conconant在Éloge de la cracemoolit(1989)中所倡导的——以及“对享乐的渴望”:挖掘一段痛苦和有争议的过去在这方面能有多大程度的帮助?
Unearthing BUMIDOM: the state-organized migration of French Caribbeans to mainland France (1963-1982) as portrayed in recent audiovisual productions
ABSTRACT This article explores four recent audiovisual productions that bring to light the state-organized mass migration of French West Indians from Martinique and Guadeloupe to mainland France through BUMIDOM (Bureau pour le développement des migrations dans les départements d’outre-mer) during the 1960s and 1970s. Vehemently criticized at the time—some observers even comparing it to the slave trade—BUMIDOM ended up being largely obfuscated from the collective national memory. Each in its own way, the four productions—two documentaries, Bumidom—Des Français venus d’Outre-mer (2011) and L’Avenir est ailleurs (2007), as well as the fictional TV mini series Le Rêve français (2018) and the feature film Le Gang des Antillais (2016)—unearth the humiliation experienced by the Martinicans and Guadeloupeans handled by BUMIDOM and how it enhanced their feeling of being perceived as not entirely French. After examining the productions, the article concludes by discussing them in relation to the concept of creoleness—as advocated by Jean Bernabé, Patrick Chamoiseau and Raphaël Confiant in Éloge de la créolité (1989)—and the ‘desire for conviviality’: to what extent can an excavation of a painful and contentious past be helpful in that respect?