“强制观念”与意志形而上学——《黄金》及其后的里尔克接受叔本华的痕迹

IF 0.1 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN Monatshefte Pub Date : 2023-03-31 DOI:10.3368/m.115.1.1
Traian-Ioan Geană
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引用次数: 0

摘要

本文试图从《新诗论》的周期来追溯叔本华哲学思想对里尔克诗歌《黄金》的影响。鉴于里尔克的诗将黄金呈现为一种“强迫性观念”(“Zwang Idee”)的产物,这种观念与弥漫在自然元素中的形而上学意志原则有关,《黄金》可能反映了对叔本华思想的更深刻接受,这一可能性值得更彻底的分析。为此,本文分为三个部分(加上引言和结论,这为里尔克对意志概念的使用提供了更广泛的视角)。在简要论述了叔本华的意志哲学之后,从叔本华角度对里尔克的《黄金论》进行了详细的分析。在那之后,我试图证明为什么应用叔本华的思想会比尼采的“权力意志”概念更一致地解释和更好地理解达斯·戈尔德
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„Zwang-Idee“ und Willensmetaphysik. Spuren von Rilkes Schopenhauer-Rezeption in Das Gold … und darüber hinaus
The following paper is an attempt to trace the influence of Schopenhauer’s philosophy in Rilke’s poem Das Gold (engl. Gold) from the New Poems cycle. Given that Rilke’s poem presents gold as product of a ‘compulsive idea’ (“Zwang-Idee”) pertaining to a metaphysical principle of will, which pervades elements of nature, the possibility that Das Gold may reflect a more profound reception of Schopenhauer’s ideas deserves a more thorough analysis. To this end, the article is structured in three parts (plus an introduction and the conclusion, which offers a broader perspective regarding Rilke’s use of the concept of will). After a brief discussion of Schopenhauer’s philosophy of the will, a detailed analysis of Rilke’s Das Gold from a Schopenhauerian perspective follows. After that, I attempt to demonstrate why applying Schopenhauer’s ideas leads to a more consistent interpretation and better understanding of Das Gold than Nietzsche’s concept of “will to power.” (T-IG, in German)
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Monatshefte
Monatshefte LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
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