{"title":"查尔斯·兰姆的不完美孤独","authors":"Eliza Haughton-Shaw","doi":"10.3366/rom.2022.0564","DOIUrl":null,"url":null,"abstract":"Charles Lamb’s Essays of Elia (1820–25) are often seen as minor contributions to the Romantic tradition, and the essays themselves playfully foreground their own minority. This article traces the self-deprecating humour of the Elia essays to the writer’s perceived inability to generate for himself the kind of self-enclosure which is envisioned by the Romantic lyric. It reads solitude as both a wished-for state and a concept under formation in the Elia writings, and argues that humour – with its masks, alternate selves, and performance of roles – offers Lamb an alternative to the more serious authority of Wordsworth and Coleridge, and a way of ‘making do’ with imperfect environmental conditions for creativity.","PeriodicalId":42939,"journal":{"name":"Romanticism","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Charles Lamb’s Imperfect Solitudes\",\"authors\":\"Eliza Haughton-Shaw\",\"doi\":\"10.3366/rom.2022.0564\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Charles Lamb’s Essays of Elia (1820–25) are often seen as minor contributions to the Romantic tradition, and the essays themselves playfully foreground their own minority. This article traces the self-deprecating humour of the Elia essays to the writer’s perceived inability to generate for himself the kind of self-enclosure which is envisioned by the Romantic lyric. It reads solitude as both a wished-for state and a concept under formation in the Elia writings, and argues that humour – with its masks, alternate selves, and performance of roles – offers Lamb an alternative to the more serious authority of Wordsworth and Coleridge, and a way of ‘making do’ with imperfect environmental conditions for creativity.\",\"PeriodicalId\":42939,\"journal\":{\"name\":\"Romanticism\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanticism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/rom.2022.0564\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanticism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/rom.2022.0564","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Charles Lamb’s Essays of Elia (1820–25) are often seen as minor contributions to the Romantic tradition, and the essays themselves playfully foreground their own minority. This article traces the self-deprecating humour of the Elia essays to the writer’s perceived inability to generate for himself the kind of self-enclosure which is envisioned by the Romantic lyric. It reads solitude as both a wished-for state and a concept under formation in the Elia writings, and argues that humour – with its masks, alternate selves, and performance of roles – offers Lamb an alternative to the more serious authority of Wordsworth and Coleridge, and a way of ‘making do’ with imperfect environmental conditions for creativity.
期刊介绍:
The most distinguished scholarly journal of its kind edited and published in Britain, Romanticism offers a forum for the flourishing diversity of Romantic studies today. Focusing on the period 1750-1850, it publishes critical, historical, textual and bibliographical essays prepared to the highest scholarly standards, reflecting the full range of current methodological and theoretical debate. With an extensive reviews section, Romanticism constitutes a vital international arena for scholarly debate in this liveliest field of literary studies.