策展光影:新加坡亚洲文明博物馆的马来亚皮影

I. Johnson, Darryl Lim
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引用次数: 0

摘要

摘要:新加坡的亚洲文明博物馆收藏了大量来自马来西亚的皮影,但人们对它们的了解很少,只知道它们起源于英国殖民统治时期的吉兰丹岛。很少有记录能解释它们是如何进入博物馆的民族志馆藏的,也没有记录能解释这些藏品对博物馆和吉兰丹戏剧艺术的社会意义。通过美学和策展的视角来审视木偶,可以扩展我们对博物馆学和跨文化接触的知识,并有助于讨论历史、表演艺术和马来亚殖民地边缘的收藏政治之间的相互关系。
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Curating Shadows: Malayan Shadow Puppets in Singapore's Asian Civilisations Museum
Abstract:Singapore's Asian Civilisations Museum houses a large collection of shadow puppets from Malaysia, but very little is known about them except that the originated in Kelantan during the period of British colonial rule. Scant records exist explaining how they ended up in the museum's ethnographic holdings, or the social significance of the collection for the museum and for Kelantanese theatrical arts. Examining the puppets through both an aesthetic and curatorial lens allows us to expand our knowledge of museology and cross-cultural encounters, and contributes to discussions on the interrelationship between history, the performing arts, and the politics of collecting at the periphery of colonial Malaya.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
15
期刊最新文献
James Carnegy and the ‘Country Trade’ in Penang, c.1802–1824 History in the Malaysian Public Sphere The Comfort Women of Singapore in History and Memory by Kevin Blackburn (review) An Illustrious Heritage: The History of Tan Tock Seng and Family ed. by Kua Bak Lim, Lim How Seng and Roney Tan (review) Belitung, the afterlives of a shipwreck by Natali Pearson (review)
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